A Crash Course in Fantasy Sub-Genres
By Marcy Kennedy (@MarcyKennedy)
Welcome back to my series on the different genres we can write in. As I go through this series, please keep in mind that I can’t cover absolutely every option. My goal is to give you the main categories, so you can better understand where your book might fit or what you might be interested in writing in the future.
What Is Fantasy? What’s the Difference Between Science Fiction, Fantasy, and Horror?
Science fiction, fantasy, and horror are often lumped together under the category of speculative fiction, so before I dive in to looking at the different options you have when writing fantasy, I thought it was important we at least try to clarify where the fuzzy lines between the speculative fiction genres fall.
I’ll define science fiction in more detail next week, but fantasy is a work that, as a defining quality of its plot, has an element that is not real and can never be real–an alternate world, magic, creatures of myth or legend brought to life. The most important thing to remember when writing fantasy is that, no matter how far-fetched or exotic your story, you must keep your world internally consistent. In other words, you set rules for how your world works and you don’t break them.
On a very basic level, the difference between science fiction and fantasy is one of possibility. Fantasy is always set in the realm of the impossible. Werewolves don’t and won’t exist in our world. No amount of scientific advancement will make it possible for us to travel to Narnia, Hogwarts, or Middle Earth. Science fiction, on the other hand, is based in what we either wish or fear the future might bring.
According to the Horror Writers Association, “horror can deal with the mundane or the supernatural, with the fantastic or the normal. It doesn’t have to be full of ghosts, ghouls, and things to go bump in the night. Its only true requirement is that it elicit an emotional reaction that includes some aspect of fear or dread.” To put it another way, horror will be much darker in tone and will make your heart race much more frequently than will either science fiction or fantasy. Horror means to scare the reader, whereas the most science fiction or fantasy mean to do is warn them.
(I don’t plan to cover horror in this series, but let me know in the comments if you’d like me to.)
Two of the most well-known awards for science fiction and fantasy writers are the Hugo and the Nebula. Whether or not you’re writing fantasy, the Science Fiction & Fantasy Writers of America is a great resource.
Defining Fantasy Sub-Genres
So now that we have the big picture idea of fantasy down, it’s time to look at your options within the genre.
Historical Fantasy – Historical fantasy takes place in a recognizable historical time period and in a real world location. This sub-genre encompasses things like the King Arthur legends and Robin Hood. It’s more about how the author plays with history, myth, and legend than it is about magic.
Epic Fantasy – Epic fantasies are what most people think of when they hear “fantasy.” They’re defined by a large cast of characters, multiple POVs, and complex plots. They’re set in a fictional world, and the plot often revolves around the rise and fall of kingdoms. The ultimate epic fantasies are George R. R. Martin’s A Song of Fire and Ice series and J. R. R. Tolkien’s Lord of the Rings trilogy.
Urban Fantasy – First of all, urban fantasy is set in a primarily, well, urban/city setting. You can’t set your fantasy in a medieval-esque pastoral setting and call it “urban fantasy.” It’s darker, grittier than most other fantasy, and you’ll usually find it populated with demons, vampires, werewolves, witches (not the Harry Potter kind), or zombies. Kelly Gay’s The Better Part of Darkness is an urban fantasy example. Urban fantasy is often confused with paranormal romance. While they can and do often have blurry lines, the best way to tell them apart is to ask if the core conflict is about two people falling in love. If the main focus of the story is on the relationship, then it’s a paranormal romance. If the main focus of the story is somewhere else, on some other conflict, even if it has a romantic subplot, it’s still an urban fantasy.
Superhero Fantasy – Secret identities, superhuman powers, and villains who are more than a little unhinged are part of what make superhero fantasy so much fun. Superhero movies like X-Men, Spiderman, The Green Lantern, and Captain America are all great examples of this genre.
Traditional Fantasy – Traditional fantasy is basically a teeny, tiny epic fantasy. It’s set in a secondary world (i.e., not our world) like epic fantasy, but it has a smaller cast of characters, fewer POV characters, and a plot that focuses more on a single character (or small group) and their unique struggle than on the creation or destruction of worlds/kingdoms. Magic in some form is usually a key element of traditional fantasy. A classic traditional fantasy is The Last Unicorn by Peter S. Beagle.
The fraternal twin sister of traditional fantasy is sword and sorcery, where the plot focuses more on the swashbuckling adventures and daring doos of the main character than on the magical elements. In other respects, they’re the same. Scott Lynch’s The Lies of Locke Lamora is an icon sword and sorcery fantasy.
Contemporary Fantasy – This sub-genre of fantasy sets the story in our modern-day world (as opposed to historical fantasy) and, although they can have dark elements to them, they also aim to give their reader a sense of joy and wonder. Contemporary fantasies often involve a “world within a world.” If you’ve read any of the Harry Potter books, you’ve read contemporary fantasy. (Urban fantasy is actually a sub-genre of this sub-genre, but it’s easier to consider it as its own sub-genre. Confused yet?)
Alternate History – Don’t let its name fool you. Alternate history plots actually usually fall into the fantasy genre rather than the historical fiction genre because at some point in time the history of the story world diverged from the history of our world. What if the Nazis won World War II? That became the inspiration for The Man in the High Castle by Philip K Dick. Depending on the focus of alternate history plots, they can also be categorized as science fiction.
Do you find that you read more in one of these sub-genres than the others? Where does your fantasy novel fall?
I hope you’ll check out the books in my Busy Writer’s Guides series, including How to Write Dialogue and Mastering Showing and Telling in Your Fiction.
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Apr 17, 2014 @ 11:20:21
Could you please review horror as well? Thanks, these are so enlightening!!
Apr 17, 2014 @ 14:32:23
I’ll add it in 🙂
Apr 17, 2014 @ 13:54:47
This might be one of the best articles I’ve read describing the different genres of fantasy. Thank you. I would love to see your intake on horror because I find when I’m writing fantasy some horror generally creeps in and makes the story more interesting.
It seems much fantasy nowadays ties in with fairy tales. I fracture fairy tales so have an interest in that area and have found fairy tales taking over movies, TV and even commercials. I have to think this ties into the fantasy world as well. These can fall into a few of your categories as well. Once Upon a Time brings it into somewhat of a contemporary genre along with a mythical world. At least IMHO. Any thoughts?
Apr 17, 2014 @ 14:31:58
Fairy tale reboots are an interesting case because of how they’ve gained in popularity in the last few years. They’re definitely fantasy, and they’re a big enough segment that Amazon has devoted an entire sub-category to them. Depending on how fairy tales are handled, they could fall into historical fantasy, contemporary fantasy, or traditional fantasy. Personally, I think that at this point in time, because of how this segment has grown, they should be considered a sub-genre of their own in the same way that superhero fantasy is. Rebooted or fractured fairy tales are distinct enough from other types of fantasy, yet share enough in common with other retold fairy tales, to justify it.
Apr 17, 2014 @ 15:23:07
Fantastic article (rimshot – cymbal crash) :-)p
I, personally would add one…mainly because it’s the sub-genre of my novel. lol Romantic Fantasy. Yes, I know many would lump it in with Paranormal Romance, but I see a distinct difference between the two. PR by and large being, angst filled, and usually about a supernatural creature and a human falling in love as in Twilight. RF, on the other hand, has a strong Fantasy setting and but also includes romantic elements. As I said, I’m biased to the sub-genre, but a internet search turned up similar results. I’m curious how you see it?
All the Best,
JM
Apr 17, 2014 @ 17:32:28
You’re a little too narrow in your definition of fantasy. Fantasy doesn’t actually have to be something that couldn’t happen: alternate history is fantasy. Fantasy is the widest genre there is! And, I’ve seen successful fantasies that run the entire gamut. Traditionally, fantasy is that story that couldn’t happen, typically because the magic doesn’t actually work in the real world we know. However, certain types of things commonly called magic do work in the real world (For instance, it’s been proven in double-blind experiments (where no one know which seeds are which until the experiment is complete) salt-poisoned seeds sprout more often with the assistance of being prayed over (See the works of Larry Dossey, MD): but just try to tell someone that prayer has been scientifically proven!). So we include the unbelievable in fantasy even when it’s proven fact, as well. Technically, all fiction falls into the category of fantasy (it didn’t happen) but we make an exception for traditional fiction in that it “could” have happened. An amazing variety of books fall into fantasy because they simply do not have anywhere else to be shelved.
Apr 17, 2014 @ 20:09:15
I didn’t write the story, but it’s a good one. Christopher Stires Alternate History, Rebel Nation assumes that the South won the Civil War.
http://www.pinterest.com/pin/79798224621814133/ Pretty proud of my cover (re)design that’s not quite ready for release, but hopefully soon. (don’t be surprised when you go to look this one up that it has a different cover)
Great story!
Apr 17, 2014 @ 20:12:48
Sorry, this link might be helpful – http://amzn.to/1eOzzZ1
here’s how you can get Rebel Nation with its current cover.
Apr 24, 2014 @ 22:58:37
“No amount of scientific advancement will make it possible for us to travel to Narnia, Hogwarts, or Middle Earth.”
What if humanity crafted out these fantasy settings with advanced virtual reality technology? I love to write, but I’m a computer science guy primarily. I’m fascinated by DNI technologies (http://en.wikipedia.org/wiki/Brain%E2%80%93computer_interface) and can’t recall ever even hearing of a narrative based on mind-machine virtual reality where the created setting is fantasy. People always just think of the matrix, but, honestly, it would be just as easy for those machines to code a fantasy setting as opposed to one mirroring our own. Software engines can be encoded to employ entirely different laws of physics and obey any rules we can think up. I hope we’ll achieve this brain-computer interface virtual reality technology in my lifetime to such an extent that it could be utilized in video games. But I digress.
I love your blog and anticipate the following articles highly. Thank you for dedicating some of your time for this practice.
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May 19, 2014 @ 14:06:15
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