Frozen

Five Important Lessons About Love From Disney’s Frozen

Disney's FrozenBy Marcy Kennedy (@MarcyKennedy)

As Disney’s Frozen starts, we meet two sisters who love each other. Eldest sister Elsa has magical powers that allow her to create snow and freeze things, and younger sister Anna is always begging her to build a snowman. During one of their play sessions, Elsa accidentally injures Anna.

From that moment on, Elsa isolates herself from Anna and from everyone, even after their parents die. When Elsa finally loses control and sends the kingdom into eternal winter, Anna sets out on a quest to bring her home and help her.

It’s a visually beautiful movie with amazing music, but what impressed me most were the five important lessons about love I found inside.

I can’t write this post without at least a couple of spoilers, so if you haven’t watched the movie and would be bothered by knowing what happens before you do, then I recommend you just read the bolded points.

#1 – You can’t fall in love in a day.

Anna is extremely lonely. Since the death of her parents, she’s been locked in the castle. Her older sister, Elsa, won’t allow people in, but Elsa also refuses to spend time with Anna.

When the gates are finally thrown open for Elsa’s coronation, it’s no surprise that Anna “falls in love” with the first handsome man in her age bracket that she meets (and he just happens to be a prince as well). She thinks it’s love, but she finds out in the end that it wasn’t. He didn’t love her, and she didn’t really love him either.

Many things can be mistaken for love—loneliness, pity, need, attraction, lust. When we say it was love at first sight, it was usually one of those at first sight and real love grew out of it over time.  

I loved this lesson because it reminds us that for love to be real and lasting it has to be accompanied by knowledge of the person’s personality and character. Love is about the other person. It’s not about something in us.

#2 – Everyone is a fixer upper.

When Anna’s heart is accidentally frozen by Elsa, Kristoff (the ice merchant helping Anaa find Elsa) takes Anna back to his family, thinking they can save her because of their magical powers. His family tries to match-make, and breaks out into a song about how everyone is a fixer upper.

I loved this lesson because it’s an important counterpoint to the warning against love at first sight. It’s just as dangerous to wait for the “perfect” person. There’s no such thing. Everyone has flaws. Usually big ones. In a good relationship, we work on improving ourselves together. And, sometimes, we just have to overlook the annoying parts of our partner because the good in them far outweighs the bad.

#3 – Love means letting others help you.

One of the big mistakes Elsa makes in the movie is shutting Anna out. Anna loves her and would do anything to help her. Many of the problems of the movie could have been avoided had Elsa let Anna in.

Elsa kept Anna at a distance because she was afraid of hurting her, but also out of a stubborn independence.

I know not everyone will agree with my view on this, but I loved this lesson because I believe that a good romantic relationship is a partnership. You make the important decisions together. You don’t keep secrets. You have to let go of some of your independence and allow the other person to help you when you need it. When they need it, you help them.

#4 – Love means making sacrifices.

In the final moment before her heart freezes solid, Anna has a choice to make. Run to Kristoff for true love’s kiss and save herself or throw herself between Elsa and the evil prince’s sword. Because she loves Elsa, she sacrifices herself to save her sister.

A lot of times, love is sacrifice. Love is compromise. You give up something you want to make the person you love happy. And rather than that making you unhappy or resentful, their happiness should fill you with joy. In a good relationship, they will also take their turn sacrificing for you.

#5 – Love for your family is just as important as romantic love.

Anna needed an act of true love to thaw her heart and save her. Since it was a Disney movie, you’d expect it to be a kiss, like in Snow White.

But it wasn’t.

It was Anna’s act of sacrifice, trying to save Elsa, that thawed her heart.

The importance of familial or friendship love is an often untaught lesson. We need more in our lives than just a spouse. We need friends and family to love and be loved by as well. That love is equally important.

I’d love to hear what you think. Did you see the same lessons? Do you agree or disagree with the messages in the movie?

Wondering what this blog is all about? On Tuesdays, I cover something science fiction or fantasy related. On Thursdays, I talk writing. I’d love to have you sign up to receive my posts by email. All you need to do is enter your email address below and hit the “Follow” botton.

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How And Why Do You Write?

By Marcy Kennedy (@Marcy Kennedy)

My friend and fellow writer Debra Kristi tagged me in a very fun blog tour about my writing process. Since this will give me a chance to answer a lot of questions I’m often asked, I thought it would be fun to play along.

But first I want to say a big thank you to Debra. Debra is a paranormal and fantasy writer. She lives with her husband, two children and a cat. She’s a full-time kid chaser, video game maker’s wife, and muse prompted writer. She writes because the dead girl told her to.

Make sure to check out her blog, Weaving Webs of Reality and the Fantastical.

Debra KristiNow on to the questions 🙂

Question #1 – What am I working on?

I divide my writing time between fiction and non-fiction, so I’ll tell you as quickly as possible about both.

For my non-fiction writing life, I’m currently working on four projects. My Twitter for Authors book is with my copy editor. This will be the first of my Busy Writer’s Guides to have a print and an ebook copy release at the same time.

I’m also writing the next mini-book in my Busy Writer’s Guides series. It’s on internal dialogue.

And the print versions for both How to Write Dialogue and Mastering Showing and Telling in Your Fiction are in process. A lot of people have been asking for these, so hopefully the wait will soon be over!

For fiction, I have a historical fantasy that’s almost ready to go off to beta readers and then for a developmental edit. My working title for this project is Selkie, but that might still change multiple times. It’s the first in a trilogy.

Teaser for Selkie: A woman in 16th century Scotland is cursed to fail at everything she tries. To earn the clue she needs to track down the fairy who cursed her, she must kill the nuckalevee, a fleshless monster who’s spreading the Black Death and killing the crops of the people under the protection of the highborn lady who holds the secrets to the truth behind her curse.

And as if that wasn’t enough, I’m also working on a romantic suspense novel and some science fiction short stories.

Add all that to the editing projects I do for my clients, and I’m kind of tired to tell the truth 🙂

Question #2 – How does my work differ from others of its genre?

Many craft books don’t give the detailed, in-the-trenches coverage of a topic. They include a lot of beautifully written prose and theory without explaining how to practically apply the principles, or they give numerous examples but don’t explain how to replicate those concepts in your own work. Each book in the Busy Writer’s Guides series is intended to give you enough theory so that you can understand why things work and why they don’t, but also enough examples to see how that theory looks in practice. In addition, they provide tips and exercises to help you take it to the pages of your own story with an editor’s-eye view. Most importantly, they cut the fluff so you have more time to write and to live your life.

I write in multiple genres for my fiction, but here’s what stays consistent no matter what genre I’m writing in: a fast-paced read, a touch of romance, deep themes, and enough twists to keep you guessing.

Question #3 – Why do I write what I do?

I write my Busy Writer’s Guides to help other writers. This business is hard. If possible, I want to make it easier for others to learn what they need to and move forward in the craft.

For my fiction, I write what I’d want to read.

In my novels, I want to give people hope. In a world that can be dark and brutal and unfair, hope is one of our most powerful weapons. I write novels that encourage people to keep fighting. I want to let them know that no one is beyond redemption and that, in the end, good always wins.

My short stories and co-written fiction with Lisa Hall-Wilson are written for various reasons.

Question #4 – How does your writing process work?

I’m a planner, so whether I’m writing fiction or non-fiction, I like to have an outline before I start. I write with an outline for a couple reasons. For me, that’s part of the fun. It’s like a puzzle I’m solving. I also love the anticipation it builds in me to actually write the book. And it’s more efficient. I’m busy. I don’t have time to waste on rewriting things that I could have gotten right quicker if I’d done a little planning in advance.

I don’t have much else in the way of a process. I don’t believe in writer’s block. I don’t believe in waiting for the “muse” to strike. My characters do what I tell them. They’re not sentient, and they don’t act on their own. If I were a Star Trek character, I’d be a Borg (who was originally a Vulcan). 

This is my job. It’s a job I love, but it’s still my job. Surgeons don’t say “Sorry. I can’t operate today. I have surgeon’s block.” They go to work and do their job whether they feel like it or not, whether they’re inspired or not. The way I see it, I should too.

Next Stops on the Tour?

I’m supposed to nominate writers to carry on the tour, but I don’t want to leave anyone out. Some of you might want to participate, but haven’t received a nomination. So I’m putting out an open call. If you want to be the next stop on the tour, here’s what you need to do.

Step One: Acknowledge the person and site that involved you in the blog tour (that’s me).

Step Two: Answer the same four questions about your writing process.

Step Three: Say who is on the blog hop next week.

Do you want to participate? Let me know in the comments.

To celebrate this blog tour, I’ve dropped the price of Frozen to 99 cents.

I hope you’ll check out the books in my Busy Writer’s Guides series, including How to Write Dialogue and Mastering Showing and Telling in Your Fiction.

I’d love to have you sign up to receive my posts by email. All you need to do is enter your email address below and hit the “Follow” botton.

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I’m Considering Eating the Groundhog

By Marcy Kennedy (@MarcyKennedy)

Last week the pipes in my house froze for the third time this winter.

When I looked in the mirror, I had crazy “is winter over yet?” eyes. Unless I did something fast, I was going to end up like this…

Wolf Ate Groundhog with Words

So I decided I needed to do something fun. Since my ebook of suspense short stories is called Frozen, it seemed fitting for me to put it on sale.

For this week only, you can get Frozen for 99 cents. If you haven’t yet read it, now’s the time!

Frozen: Two Suspense Short StoriesHere are a few more details for you about Frozen.

Twisted sleepwalking.
A frozen goldfish in a plastic bag.
And a woman afraid she’s losing her grip on reality.
“A Purple Elephant” is a 2,900-word suspense short story about grief and betrayal.

In “The Replacements,” a prodigal returns home to find that her parents have started a new family, one with no room for her. This disturbing 3,600-word suspense short story is about the lengths to which we’ll go to feel like we’re wanted, and how we don’t always see things the way they really are.

Grab your copy of Frozen here.

Hopefully it will help you forget about winter for a little while at least 😀

(The sale is Amazon only, but if you want a version for a different ereader, buy a copy from Amazon, send me an email, and I’ll send you a version compatible with whatever your preferred e-reading device is.)

Please help me spread the word about the sale on Facebook, Twitter, and Google+.

If you’d like to use some pre-made tweets, here they are.

Twisted sleepwalking. A frozen goldfish in a plastic bag. A woman losing her grip on reality. FROZEN on sale for 0.99 (Click to tweet)

Prodigal returns to find her parents have started new family with no room for her~Suspense story FROZEN 0.99 til Fri (Click to tweet)

Two disturbing suspense stories in one book ~ FROZEN on sale for 99 cents til Fri (Click to tweet)

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Image Credit: Asia Jones

How Far Would You Go to Be Accepted?

Misfits

Image Credit: Peter Sorensen (sxc.hu)

By Marcy Kennedy (@MarcyKennedy)

Sorry for the silence last week everyone. My husband ended up at the emergency room and was home sick for a few days. But I’m back this week to fulfill my promise!

Two weeks ago. I told you about my struggle to forgive the man who killed my best friend and how that influenced “A Purple Elephant,” one of the short stories in my ebook Frozen.

This week I wanted to talk about my inspiration for the other story, “The Replacements.”

I’ve heard that the best writers have had horrible childhoods or traumatic pasts. I think that’s untrue, a myth perpetuated by a small minority who talk openly about their tragic pasts and the sensitive nature of creatives that makes us more prone to addictions.

I had a happy childhood. In fact, I’d say that, overall, my life has been a good one.

That doesn’t mean I can’t write about tragedy, unbalanced characters, or the darker sides of life.

What it does mean is that I have to find something, some emotion, that I share with that character, no matter how small the connection. (If you’re a writer and want to see what I mean, check out my post on Three Steps to Creating Believable Character Emotions.)

With Natalie, the point of view character in “The Replacements,” that emotion was an overwhelming desire to be loved, accepted, and wanted. (You can read about my struggle with this in my posts My Life As A Three-Headed Chimera and Do You Ever Feel Like You Don’t Fit In?)

I chose a very different path from the one I gave to Natalie, but that was part of what I wanted to explore in this story—a different path. I wanted to take that deep-seated need to be loved and I wanted and put it in a situation where I could create a character who would take it to an extreme that I never would have. I wanted to explore how far a person might go to feel like she had a place to belong.

In “The Replacements,” Natalie is a prodigal daughter who ran away from home and cut off contact with her parents years before. As the story opens, she’s fresh out of an abusive relationship and she’s tired of living on the streets. The only thing she wants, the only thing that matters to her, is to be able to return home to her parents, to know they still want her and love her. 

Except when she arrives home, she finds out her parents have “replaced” her by having more children. In Natalie’s broken mind, the only way she can be welcomed home is by first getting rid of her replacements.

Frozen: Two Suspense Short StoriesHere are a few more details for you about Frozen.

Twisted sleepwalking.
A frozen goldfish in a plastic bag.
And a woman afraid she’s losing her grip on reality.
“A Purple Elephant” is a 2,900-word suspense short story about grief and betrayal.

In “The Replacements,” a prodigal returns home to find that her parents have started a new family, one with no room for her. This disturbing 3,600-word suspense short story is about the lengths to which we’ll go to feel like we’re wanted, and how we don’t always see things the way they really are.

Frozen is currently available at Amazon, Kobo, and Smashwords. More venues coming soon!

I’d love to have you sign up to receive my posts by email. All you need to do is enter your email address below and hit the “Follow” botton.

Enter your email address to follow this blog:

Are You Struggling to Forgive?

Tips for ForgivenessBy Marcy Kennedy (@MarcyKennedy)

My book of two suspense short stories (called Frozen) is now available for purchase. Today and next Tuesday, I’m going to share with you some of my inspiration for the two stories inside.

I’ve told you the story before of the best friend I lost to a drunk driver when I was only 20.

What I haven’t talked about before is how much I hated the man who killed her. And how much I hated myself.

Amanda called me the Saturday before she died and asked if I wanted to tag along and keep her company while she took her car in for an oil change. I turned her down. It was less than a week post-9/11, and I wanted to stay home and watch the coverage on TV.

Once she died, I couldn’t forgive myself for not going. It wasn’t that I regretted not getting that last day with her (though I did regret it and I’d trade a lot to have it now). It was that the voice inside my head told me I was selfish because I’d put my own desire to watch TV ahead of her desire for companionship. I was a horrible friend.

I didn’t contribute to her accident, and I couldn’t count the hours we’d spent together over the years. My guilt and self-hatred was irrational.

But when we lose someone we love, our emotions aren’t always rational. In fact, they seldom are.

It took me years to work through my guilt and self-hatred.

When I wrote “A Purple Elephant,” one of the suspense short stories in Frozen, it was this dual hatred—for myself and for Amanda’s killer—and the need to forgive and move forward that I tapped in to.

I wanted to explore what would happen if a woman was responsible for the death of her only child and couldn’t forgive herself. What would that do to her mentally and emotionally? What would it do to her relationship with her husband?

And how far would someone go to punish the person they believed killed their child?

Forgiveness is a tricky thing, in part because we hold so many misconceptions about what it really means to forgive. I won’t tell you whether or not Candice and Gerry (the characters in “A Purple Elephant”) learned to forgive or not—no spoilers here! But I will tell you what helped me most to actually forgive the man who killed Amanda.

(You might ask, Why would you even try to forgive someone like that? Well, hating him didn’t change anything that had happened, and I found that hating someone was turning me into a person I didn’t want to be.)

To forgive, I had to figure out what forgiveness isn’t. I had to sort through the myths to find the truth.

Truth #1 – Forgiveness isn’t reconciliation.

Reconciliation has many meanings. When I say forgiveness isn’t reconciliation, I’m talking about when two people reconcile, make amends, and come to some sort of agreement or restore a relationship. They “mend fences.”

At his trial, the man who killed Amanda showed no remorse. Near the end, when given the chance to speak, Amanda’s mother asked him to look into “the face of a mother whose heart you broke by murdering my only child.” By refusing to look up, he also refused to admit any guilt or to try to make amends in any way.

For a long time, I didn’t even try to forgive him. How, I asked myself, could I possibly forgive someone who didn’t want to reconcile with those he’d harmed? The answer? I couldn’t.

A pervasive myth about forgiveness says that to forgive you must also reconcile with the person you’ve forgiven. But forgiveness isn’t based on restoring a broken relationship.  Forgiveness is something that we do internally, not something we need to do externally.

If someone has hurt you, you don’t need to continue a relationship with that person (or form a relationship with that person) in order to forgive them.

Truth #2 – Forgiveness isn’t condoning the harm that was done.

The more I learned about his history, the angrier I became. I was angry that he got into a car drunk that night, angry that his girlfriend gave him her car because his was impounded, and angry that the law doesn’t inflict harsher punishments on first- and second-time DUI offenders. Amanda’s death was his third drunk driving conviction.

I thought that I couldn’t even start to forgive until I was no longer angry. My mind had wrongly yoked forgiveness with condoning sin and excusing him for what had happened.

That was a false connection too. I could still feel that what he’d done was 100% wrong. I could be angry that he’d done it. Yet I could still forgive him for it.

Truth #3 – Forgiveness isn’t pardoning.

In the end, he went to jail for second-degree murder, the first conviction of its kind in Michigan. Relieved at the closure of having the trial over, I tried to figure out what life looked like now without Amanda. I even started to think that I’d forgiven him…until his appeal a year and a half later.

I prayed that his appeal would be denied, but felt guilty for it. If I’d truly forgiven him, shouldn’t I be alright with the possibility of his conviction being overturned? Didn’t forgiveness mean pardoning him?

Any good parent will tell you that isn’t true. Sometimes people still need to suffer the consequences of their actions even after they’ve been forgiven. If an offence against us broke a law, we can forgive while still insisting that the offender receive the full legal repercussions.

Truth #4 – Forgiveness isn’t forgetting.

Thankfully his conviction stood. Time passed, and the “forgive and forget” mantra haunted me. I couldn’t forget what had happened. Did that mean I would never be able to forgive?

When I researched this, I found that the Greek word for “remember” means “to call to mind.” Its opposite is not “to forget.” Instead of “forgetting” the wrongs done to us, what we should seek to do is stop dwelling on them. When we choose to forgive, we’re saying that we want to focus on the good things in our lives and to build from there. We’re not saying that we should or can ever forget what happened.

Have you struggled to forgive someone? Or to forgive yourself? What helped you most?

Frozen: Two Suspense Short StoriesHere are a few more details for you about Frozen.

Twisted sleepwalking.
A frozen goldfish in a plastic bag.
And a woman afraid she’s losing her grip on reality.
“A Purple Elephant” is a 2,900-word suspense short story about grief and betrayal.

In “The Replacements,” a prodigal returns home to find that her parents have started a new family, one with no room for her. This disturbing 3,600-word suspense short story is about the lengths to which we’ll go to feel like we’re wanted, and how we don’t always see things the way they really are.

Frozen is currently available at Amazon, Kobo, and Smashwords. More venues coming soon!

I’d love to have you sign up to receive my posts by email. All you need to do is enter your email address below and hit the “Follow” botton.

Enter your email address to follow this blog:

Image Credit: Laura Glover (via sxc.hu)