“Don’t ask questions you don’t want to know the answer to.”
This is what people tell Agent J (Will Smith) in Men in Black III every time he asks Agent K (Tommy Lee Jones), “How did you get this way?”
The whole movie turns on this question.
Boris the Animal, a boglodite (a species of parasite-like aliens), escapes from the LunarMax prison on the moon, and travels back in time to kill a young Agent K before K blows off Boris’s arm in 1969. Boris succeeds and puts the earth in grave danger of being invaded by the boglodites. Agent J has to go back in time to save K and the earth.
When we got in the car after the movie, my husband gave me a pointed look. “Don’t ask questions you don’t want to know the answer to. Sounds like a lesson someone I know should learn.”
“In what way?”
Deadpan, in a perfect Admiral Ackbar imitation, he said, “It’s a trap!”
And I laughed, not just because we’re Star Wars nerds, but because, in a way, my husband was right. Women are particularly fond of asking questions we don’t need or want the answer to.
Do these jeans make my butt look big? Do you think she’s prettier than me? What do you think of my hair?
We force people to lie to us, or get angry with them when they don’t.
Not every question should be asked. Not every question should be answered. Some questions only torment us and the person we ask.
But sometimes, even if we don’t want the answer, we may need it.
Through the Men in Black series, Agent J believes his father chose to be absent while he was growing up. He carried around a lot of resentment and pain. Because he refuses to stop asking and refuses to accept anything less than an answer, he finds out the truth. His father was a hero who died helping Agent K save the world from Boris the Animal.
And what was it that made K the way he is? Seeing the young James (Agent J) hop out of the nearby Jeep only moments after his father is killed and ask about his dad. K flashed him with his memory eraser so that he wouldn’t remember being there.
Knowing that answer helped J both personally in accepting that his father didn’t willingly abandon him, and professionally in understanding and appreciating his partner more. The answer hurt him, but it also helped him.
The same can be true for us, but the tricky part is learning the difference between a question we don’t want to know the answer to yet need to, and a question we ask out of our own insecurity or immaturity.
Did you cheat on me? Are you still drinking? Is my novel ready to publish? Do I need to lose weight?
The answers to those types of questions might hurt. We might not really want to know. But knowing the answer is for the best.
How do you figure out whether a question you don’t really want to know the answer to is one you need to ask anyway?
Are we alone in the universe? If not, should we try to make contact?
At the start of Battleship, scientists have found an Earth-like planet the perfect distance from its own sun to sustain life and big enough to have its own atmosphere. They don’t know if an intelligent species lives on the planet or not, so they send out a message using a deep space satellite.
One scientist assigned to the project worries this is a bad idea. “If there is intelligent life out there and they’re able to travel here, it’ll be like Columbus and the Indians. But we’ll be the Indians.”
Confident in human superiority, no one listens to him. The aliens show up years later as the Navy’s RIMPAC joint naval exercise opens. They’re not friendly.
Lieutenant Alex Hopper (Taylor Kitsch) serves on a destroyer, and is out on the Pacific for RIMPAC. The aliens set up an impenetrable bubble, cutting off three ships from the rest of the fleet, and quickly destroy two of them. Because the captain and XO of his ship are killed, Hopper ends up the senior officer on the remaining ship.
Hopper is the worst possible choice for command. He’s been a screw-up his whole life because he’s too proud to listen to the wise advice of the people around him, and he allows himself to be goaded like a child. Before the alien attack, he was set to be dishonorably discharged for fighting with the captain of another navy’s ships. His natural intelligence and creativity are useless because they aren’t tempered by common sense and self-control.
You can tell by the looks on the crew’s faces that they think they’re doomed. And they might have been, except for one thing—Hopper finally listens to someone else. He takes the advice of his chief petty officer to retreat rather than ramming the alien ship with his destroyer the way he wanted to.
As the battle for earth continues, Hopper and his crew survive and destroy the alien ships within the bubble because he becomes humble enough to learn from others. He allows the Japanese captain (the one he fought with) to teach him a trick using water displacement and weather buoys to map an enemy’s position without radar. And when their destroyer finally goes down, they have only one ship left—the retired battleship Missouri. None of his men know how to operate the battleship, so Hopper humbles himself again to ask for help from the Korean War veterans, who most of the world sees as obsolete.
It’s important to trust our gut and to seek out creative solutions to problems. But there’s also a place for listening to people who have more experience and more wisdom than we do. We can’t always see our own shortcomings.
The closer we get to our goals and the more skilled we get, the easier it is to forget how much we still have to learn and how much wisdom older, more experienced people have to offer. It’s especially easy when the advice we need to hear comes from the lips of someone we don’t like. But if we don’t humble ourselves enough to at least listen, our arrogance can actually prevent us from achieving our dreams.
How do you decide when to listen to advice and when to go with your gut?
Join me on Facebook if you want to hear what I thought about the movie as a movie, apart from the cool lesson.
How can we tell if someone has truly changed? How many chances should we give someone before saying “no more”?
The knotty nature of authentic change is a theme Once Upon A Time comes back to again and again. Sydney Glass has the chance to change from being Regina’s spineless, love-sick toy to a man of honor, but allows her to continue to use him. Emma changes from someone who’s alone because of her fears to someone who’s slowly building friendships and desperately wants to get back her son.
Each layer of Mr. Gold’s story especially returns to the nature of change.
In “Skin Deep,” we find out that Mr. Gold isn’t only Rumplestiltskin, but also the Beast to Belle’s beauty. She falls in love with him the way we knew she would, and believes it’s still possible for him to change. And she thinks she’s found the way—true love’s kiss.
Instead of escaping when given the chance, Belle returns to him and kisses him. The curse starts to break, and Rumplestiltskin jerks away. He demands to know what she’s doing. He has his chance, but he refuses to take it.
We see it again in “The Return.” Disgusted by what his father has become, Rumplestiltskin’s son makes a deal. If he can find a way to get rid of his father’s magic that doesn’t hurt either of them, his father has to agree to do it. When his son finds a way to take them to a world without magic, Rumplestiltskin turns him down. He has the opportunity to give up the power that’s making him cruel and evil, but he won’t.
I think the writers of Once Upon A Time keep coming back to the theme of change because we as people are forced to come back to these questions every time someone we trusted hurts us. I also think the writers, perhaps without knowing it, stumbled on part of our answer.
The motivation to change can’t be external.
Our love can’t make someone change. Blackmail or threats can’t make someone change. Not really. Any appearance of change will only be temporary.
I believe in second chances. I believe that people can change. But they have to want it. For their own sake. Outside forces might act as a catalyst, but the desire to change has to rise from within us.
Rumplestiltskin claims he’d be willing to change, but when it comes down to it, his heart still values his power more than his loved ones. Yet each time he walks into an episode, I’m rooting for him to find redemption almost as hard as I’m rooting for Regina to get her just desserts. One of the reasons I still have hope for him is that we see this balance shifting. We see the struggle happening within his heart. He’s passed up every chance he’s been given so far, but some people are more stubborn than others. It takes more for them to decide to change, andit’s dangerous to give up on people too soon.
As part of his backstory, we see that, even once he loses his son through his own cowardice, Rumplestiltskin refuses to accept it. He blames the Blue Fairy for stealing his son. When he thinks his son has finally returned to his life, though, it forces him to face how it was truly his choice that separated them. He’s the one who needs forgiveness.
True and lasting change involves not only desire but also taking responsibility for how our own decisions brought us to the point we’re at.
Even with those two lampposts, the path to change is long and windy and often unclear.
Since I don’t have all the answers, I’d love to hear your thoughts in the comments. What helps you decide if someone has truly changed? How many chances do you give before drawing the line in the sand?
I’m afraid I might be part centaur. And it’s not something I’m proud of.
Centaurs in the ancient Greek world were nothing like the stargazers on the grounds of Harry Potter’s Hogwarts or the wise, noble creatures in Narnia.
The most common origin legend says centaurs are descended from King Ixion of the Lapiths and a cloud. After murdering his father-in-law, Ixion went mad, and Zeus invited him to Olympus out of pity. In repayment for Zeus’ kindness, Ixion lusted after Zeus’ wife Hera. Zeus found out about it and created a cloud version of Hera, which Ixion coupled with. The cloud Hera gave birth to Centauros, and Centauros mated with mares, creating centaurs.
With a grandfather like Ixion, it’s no wonder centaurs ended up with little self-control.
They’re one of the baser creatures of Greek mythology. Stories abound of them kidnapping and raping women, getting drunk, fighting, and tramping crops. Some even say they ate raw flesh. Passions ruled. In battle, they wielded rocks and tree branches against their enemies, and Zeus would use them to punish humans who angered him.
Centaurs could be wise and good, as Chiron proved by serving as a tutor to Greek heroes like Jason and Achilles. But he’s known because he’s the exception. When placed next to the other centaurs, he only makes their lack of self-control uglier, sadder.
The centaurs’ dual nature, both man and horse, capable of good but choosing to be selfish, came to represent the struggle in each of us between what we know is right and our carnal desires for gluttony, lust, and violence.
Lately, I’ve been letting my cravings get the best of me too.
Since February of this year, I’ve been trying to lose weight. Somewhere between my honeymoon in 2010 and finally getting out of a very stressful job situation this year, I managed to gain 25 pounds. When you’re 5’2”, putting on that much weight means your back starts to ache and none of your clothes fit anymore.
I know what I need to do to lose the weight. But too often, when faced with the chocolate or cheesecake or Chinese food I want, I give in. Because I want it. I don’t have an excuse.
My lack of self-control is all the more ugly and sad because of all the other places in life where I’ve proven I have the self-control to make the right choice even when I want to make the wrong one. I get up every morning to work out for at least an hour. I set aside leisure activities when I have a deadline. I once had so much self-control that I dropped my weight well below what was healthy.
I can do it. It’s a matter of will. But some days I worry I don’t have enough willpower left.
I don’t want to be a centaur, so I’m fighting—a pound of carrot sticks and half a pound of weight at a time.
Sometimes I think that’s the best we can do, at least at first. When we feel like the centaur inside is winning, throwing rocks and trees at us that are too big to handle, we just have to keep dipping and dodging and ducking and diving and, as long as we don’t give up, we’ll find the self-control we need to defeat it.
What brings out the centaur in you? (Any tips for losing weight in a healthy way are also welcome!)
Important life lessons don’t usually come in the form of a large ground squirrel predicting the weather and a day that literally never ends.
But Groundhog Day, a 1993 movie starring Bill Murray, weaves three of the most important lessons for contentment around the story of a cynical weather man trapped in a time warp in Punxsutawney, PA, on February 2.
Phil Connors (Bill Murray) travels from Pittsburg with his cameraman and his producer Rita (Andie MacDowell) to report on what the groundhog says about the coming of spring. The problem is that every morning he wakes up and it’s still February 2. He’s the only one who realizes they’re trapped in a time loop.
In his attempt to keep his sanity, he—like most of us—learns the hard way the three things that will allow him to be content regardless of his circumstances.
Physical pleasures might be fun for the moment, but they often end in boredom and despair. A fulfilling life requires something more.
Once Phil’s confusion wears off, he realizes that no tomorrow means no consequences, and he can do whatever he wants. He smokes, gluts himself on coffee and pastries, steals money from the bank, and has a series of one-night stands.
And at first, he’s deliriously happy. If I’m being honest, I can relate. Imagine being able to eat all your favorite foods without gaining a pound.
It’s appealing.
And destructive.
Soon the thrill wears off for Phil. The pleasures aren’t enough, and despair takes over. He tries to kill the groundhog, thinking that might be the way out. When that fails, he tries to kill himself in every conceivable way. When that fails as well, Phil takes his first small step toward being a better person. He starts to think of others instead of just of himself.
You can’t save everyone.
One of Phil’s daily errands is trying to save an old homeless man who dies. The first night Phil finds the man collapsed, he rushes him to the hospital. The man dies anyway.
The nurse tells Phil, “Sometimes people just die.”
“Not today,” he says.
Saving the old man becomes an obsession. He feeds him, performs CPR, does everything he can think of. Nothing works. It was the man’s time to die.
It’s the saddest lesson of Groundhog Day, but one of the most important, especially for me. I take in strays. When I see someone hurting or with a problem, I want to fix it.I believe in second chances. I have a difficult time giving up on or letting go of anyone.
But sometimes you have no other choice. Sometimes you’re going to lose one. If you let that loss destroy your confidence, or cause you to stop trying, you’ll also give up the chance of helping many others. Never let losing one keep you from trying.
You can’t force or trick someone into loving you. What you can do is become the person your perfect mate would naturally fall in love with.
Early in the movie, Phil calls the woman he’s kissing by Rita’s name and figures out it’s Rita he really wants. That attraction quickly grows into love because Rita is a genuinely nice person.
Unfortunately, Phil isn’t the kind of man Rita wants. He’s the exact opposite. When the movie starts, he’s cruel and selfish and egocentric. But he doesn’t want to change, so he goes on a quest to learn everything he can about Rita in the hope of convincing her to fall in love with him (or at least sleep with him).
But no matter what tactics he tries, every evening ends with Rita slapping him. Phil eventually gives up, and not being able to win her over contributes to his depression and suicide attempts.
The turning point for him comes when he realizes he doesn’t deserve her. Instead of continuing to try to trick Rita into loving him, he works on becoming the kind of man she would fall in love with. He starts to read the classics, learns how to ice sculpt, and takes piano lessons. He spends his days running around Punxsutawney, trying to make this one day perfect for all the residents, from catching a boy who falls from a tree at the same time every day to fixing a flat tire for three old ladies. He learns to love the small town and its people.
By the end of the movie, Rita falls in love with him for who he’s become–and the time loop ends because he’s learned what it really means to love.
Have you discovered one of these lessons the hard way? The most difficult lesson of the three for me is admitting I can’t save everyone. Which is the biggest struggle for you?
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Even though I loved The Hunger Games movie that released Friday, I couldn’t help but notice that the screenwriters left out one of the most important lines in the book.
The night before the Games begin, Katniss finds Peeta on the roof of their hotel, watching the Capitol celebrate.
Peeta tells her, “I keep wishing I could think of a way to…to show the Capitol they don’t own me. That I’m more than just a piece in their Games.”
This makes no sense to Katniss. In the book, she replies by telling him to care about staying alive, and in the movie, she explains that she can’t afford to think that way. Although that particular line wasn’t in the book, it was a perfect addition because that’s the way things are in District 12, where Katniss lives. Thinking of what might be only leads to disappointment. You have no chance of bettering your situation, nothing you do changes anything significant, and the best you can hope for is to survive.
And that’s the best she hopes for from the Arena as well. Only one of the twenty-four who compete comes out alive. To Katniss, any expectation that something might change this year would be futile.
Yet it’s Katniss who, by the end of the book, thumbs her nose at the Capitol and forces them into allowing two winners of the Hunger Games for the first time ever. And over the next two books, it’s Katniss who, without even meaning to, ignites a revolution and changes her world.
She learns one person can make a difference.
I’m not sure whether the scriptwriters missed this theme running underneath all the books or whether they didn’t catch the line that brings out the deepest facet of it, but in Chapter 7 of The Hunger Games, Peeta and Katniss are arguing about which of them has the better chance of survival and of getting sponsors. Each believes it’s the other.
Peeta turns to Haymitch (their mentor) in exasperation and says, “She has no idea. The effect she can have.”
They left this line out of the movie, and without this line, part of the message is missing.
Not only can one person make a difference, but sometimes we make a difference in others’ lives without even knowing it.
Katniss didn’t set out to change the world. She just did what was right and change followed. She had no idea of the chain of events her seemingly small actions would cause.
It works the same way in real life.
When I was twelve, the boy who sat behind me in class would ask me to explain all our school work to him. I dreaded feeling that pesky tap-tap on my shoulder. When I finally lost my temper, he confessed—he couldn’t read. Somehow he’d slipped through the cracks, dismissed as either stupid or lazy, when he wasn’t either.
So I taught him (and felt guilty about snapping at him). At the time, I didn’t think it was anything important, but a couple years later, I overheard him telling a teacher how much I’d helped him and how much it meant to him.
I treasure that memory. So often I struggle with feeling insignificant and like nothing I do really matters, and that memory helps remind me that I won’t always know how something small I did positively affected someone else. If I hadn’t overheard, I would never have known I made a difference.
We’re not all destined to be famous leaders or world-changers, but that doesn’t mean we’re not making a difference in the individual lives we touch, sometimes when we least realize it, often just by doing the right thing. And that too is important.
Do you ever struggle with feeling like what you do doesn’t matter? Has someone made a difference in your life, probably without realizing it?
“When the first baby laughed for the first time, his laugh broke into a million pieces, and they all went skipping about. That was the beginning of fairies.” —The Little White Bird (1902) by J. M. Barrie (creator of Peter Pan)
Disney has fairies all wrong.
Disney and other modern renderings make fairies young, tiny, beautiful, winged. They’re playful and sweet. In the game my best friend’s daughter plays, they care for plants and animals. Every little girl wants to meet a fairy.
But it wasn’t always that way. In ancient Ireland and Scotland, fairies were feared. They stole babies, misled travelers, and kidnapped people, only to return them years later, after all their loved ones were dead. Fairies belonging to the Unseelie Court enjoyed causing misfortune to humans, including paralysis and mysterious illness, simply for the fun of it. Even the more-benevolent fairies of the Seelie Court were still dangerous if angered or offended.
Folklore focuses more on protection from fairies than it does their appearance. The most common means of warding off their malice were decorating with cold iron like a horseshoe, planting rowan bushes (small mountain ash trees) by your doorway, and keeping charms made of gorse, rosemary, dill, and St. John’s Wort under your pillow or around your neck. You didn’t seek fairies out. Instead, you avoided places where they might congregate and all chances of giving offense.
And if a fairy did you a good turn, you were never, ever, under any circumstances, to thank them. Fairies believed that, if you thanked them, it meant you’d forget the good deed they’d done for you.
I wonder if they weren’t at least partly right.
I’ve done it—said thank you, moved on, and never thought about the help I received again. But if I so easily forget, I have to wonder if I was ever truly grateful at all. So even though I think thanking people is still important and polite, I’ve been trying to come up with ways to put the meaning back into it.
Revive the Art of Thank-You Notes
I’ve heard this advice over and over again, but I’ve often dismissed it as old-fashioned—until I thought about why thank-you notes are perfect…and why they’ve largely fallen by the wayside.
Writing a thank-you note costs you time, money, and effort. It takes longer to select a card, write out a message by hand, address the envelope, and take it to the post office than it does to send off an email, Facebook message, or tweet. True gratitude should cost us something.
Writing thank-you notes properly is also an art form unto itself. My mom was mortified when I hadn’t sent out all the thank-you notes for my wedding gifts within the month after my wedding, but I wanted to take the time to do them right. For each gift, I wanted to choose a specific reason I appreciated the gift and what I liked about it rather than sending out a generic “Thanks for the glasses. I’m sure we’ll use them.” In writing a good thank-you note, we’re forced to think deeply about what the other person has done for us.
Praise Publicly
Public praise gives something back. I don’t believe in doing favors just so someone will do a favor for me in return (that’s selfish). I do believe that, if someone has done something lovely for me, I should try to help them out as well, even if it’s just through putting a smile on their face by letting others know what a great person they are.
Pay It Forward by Doing a Favor for Someone Else
Hold open a door. Bring your co-worker a coffee. Call up a friend and offer to run an errand for them. Each time we do something for a new person, it reminds us of the times others have done something nice for us too. In a way, it makes their good deed immortal.
Do you think we sometimes say thank you by rote and too easily forget what’s been done for us? What other creative ways can you think of to express true gratitude?
I’m very excited to have Jessica O’Neal visiting today. Jess’ blog, The Sexy Little Nerd, is one of my absolute favorites. From her Harry Potter series, to her more recent posts on Robin Hood, fantasy book reviews, and vlogs on everything from The Hunger Games to Game of Thrones, visiting her site is like going to a friend’s house. Please help me welcome Jess…..
I want to give a huge thank you to Marcy for having me over today. As a sister nerd, her blog has always been one of my favorites to visit. She leaves some pretty big shoes to fill and I hope that I am able to do them justice.
One Thing Magneto Got Right
When most people first meet me, they’re surprised to learn what a gargantuan nerd I am. Whether it is my obsession with Harry Potter, my affinity for all things fantasy, or my new found obsession with archery (which started from a desire to live out some of my favorite stories), people are always left gaping. For whatever reason, I am an unexpected nerd. Recently, attention has been called to another one of my nerd proclivities: comic book movies.
I’m a HUGE comic book movie fan. I am convinced that if I had been born a boy rather than a girl someone would have introduced me earlier to the wonder that is comic books, but alas that never happened. Instead, I was left ignorant of these fabulous stories until they started to take over the cinema. One of these movie franchises that I have particularly enjoyed is Marvel’s X-Men.
When these movies started to come out, I knew very little about the X-Men. I had, of course, heard of some of them before, such as Wolverine, but I didn’t really know much about the story. After the first movie, I was in love. As movie after movie began to come out, that love did nothing but grow. I was enraptured by these characters and the relationships they had with one another as they struggled to come to terms with who they were, what they could do, and what they should do. There were so many lessons that could be taken out of the lives of these mutants.
My favorite of the series is, without a doubt, X-Men: First Class. The history between Professor Charles Xavier and Magneto had always fascinated me, so getting to see that history unfold with the brilliant acting of James McAvoy and Michael Fassbender was very nearly a cathartic experience. I am not ashamed to admit that the break between them brought me to tears. And not just a few tears. When I tell people that one of the most heartbreaking movies I have ever seen is a comic book movie, they look at me like I’m crazy. That’s okay. The understanding of others is not a necessary component to my enjoyment.
But there was the development of another relationship in X-Men: First Class that really struck a chord within me. I am referring to Magneto and Mystique.
Mystique (played by Jennifer Lawrence who is also starring in the upcoming The Hunger Games movie) is different than a lot of the other mutants in that the evidence of her mutation, her true self, does not allow her to blend in with *normal* society. Mystique has the ability to change her appearance at will to look like any other human, but when she is in her natural form, she has blue skin and yellow eyes. In order to feel accepted she, therefore, chooses to spend the majority of her time in a different skin.
This is something that I think a lot of us do – I know I do. We are afraid to show our true selves to others for fear that they won’t like who we are, so we morph into the person we think they want us to be, the person we think they will accept. This is an exhausting task that will gradually wear us down.
There is a scene in the movie when Mystique, in her more *normal* human form, is lifting weights. Magneto startles her by manipulating the weights to float in the air above her. He says to her, “If you are using half of your concentration to look normal, then you’re only half paying attention to whatever else you are doing. Just pointing out something that could save your life.” He then releases the weights and, in order to catch them before they fall on her, Mystique has to release her shifted form. Magneto then says, “You want society to accept you, but you can’t even accept yourself.”
This brief scene really resonated with me. When we figuratively put on whatever skin we think certain people want to see in order to accept us, we are actually achieving the opposite. We can not be truly accepted by someone when we prevent them from seeing who we really are. Yes, when we do reveal the real us, flaws and all, there will be some people who judge us, but are those really the people we want to be close to anyway? Wouldn’t we rather be surrounded by people who know and accept the real us?
The really amazing thing is, when we learn to love ourselves for who we actually are, people can sense that and are drawn to it. People can sense when they’re being shown a false or incomplete version of someone and are turned off by it, whether they consciously realize it or not. So by accepting ourselves, we make it easier for others to accept us as well.
In spite of the path that Magneto and Mystique eventually choose, I believe in this moment Magneto has the right idea. Self-acceptance may not be easy, but the best things never are.
Do you agree with the lesson Magneto gives Mystique? Does one need to first accept herself before she can expect others to?
Jessica O’Neal is a fantasy writer with a BA in Psychology with a minor in English. Alongside her writing, she co-hosts Glee Chat and Smash Chat. She currently lives in Florida with her husband and crazy Jack Russell named Moses. Check out her blog The Sexy Little Nerd, or follow her on Facebook or Twitter.
I’m risking nerd exile by even suggesting this but…I think Yoda was wrong.
In The Empire Strikes Back, Luke Skywalker travels to the swampy planet of Dagobah to find Jedi Master Yoda. Luke’s X-Wing ends up sunk in a bog, and Luke doesn’t think he can get it out.
Yoda tells him the only difference between moving the ship and moving stones is the one in his mind. With a shrug, Luke turns back and says, “Alright, I’ll give it a try.”
Yoda replies, “Try not. Do, or do not. There is no try.”
In his post “The Difference between Trying and Doing,” Michael Hyatt, Chairman of Thomas Nelson Publishers, talks about how he watched self-help author Tony Robbins use a chair to explain this concept. Robbins asked a woman to try to pick up the chair. When she picked it up, he told her she’d done it wrong. He asked her to try to pick it up, not to actually pick it up. When she left the chair in place, he told her that she wasn’t trying—she was simply not picking it up.
Hyatt goes on to explain, “The point is that when we say we are trying we don’t really have to do anything. It also provides us with an excuse for why we didn’t accomplish the outcome we say we want. Do you understand the difference? You either do something or you don’t do it. Trying is really the same as not doing it. It just makes it easier for us to let ourselves off the hook when we fail.”
Sometimes we do use I’ll try as an excuse. In some situations, there really is only a “do or do not.” You either exercise three times a week or you don’t. You either cheat on your spouse or you don’t. You either write or you don’t. Simple. You can’t try any more than the woman could try to pick up the chair.
But sometimes you can try. Sometimes trying is the best you can do.
(I know. I’m taking on Yoda and Michael Hyatt. I must be crazy.)
When Another Person Is Involved
Say someone was sitting on the chair in question. You might strain and plead, but the chair won’t move. Isn’t there a legitimate try in that case? You gave your all, but someone prevented you from accomplishing what you set out to do.
What about the spouse who goes to counseling, puts in to practice techniques to improve communication, and finds ways to truly show love to their husband or wife to save a troubled marriage, but their husband or wife walks away anyway?
They did everything they could to save their marriage, but someone else’s decision prevented them doing it.
When An Innate Ability Or Talent Is Involved
I’m 5-foot-2, and I’m strong for my size. But if you placed a 1,000-pound chair in front of me and told me to lift it, I couldn’t do it. I am physically incapable of lifting something that size alone.
As a child, I loved to sing. I sang every day. I still do. But it wouldn’t matter how many hours I practiced or how many lessons I took or how determined I was to become a professional singer, I don’t have the voice for it. I wasn’t born with it. No amount of determination can change that. (Want more proof? Look at some of the people who try out for American Idol.)
A neurosurgeon needs steady hands. What if you have a condition that causes yours to shake, and that no amount of physical therapy can rectify? Did you fail because your mindset was wrong? Or should you be applauded for trying to reach your dream even though you failed?
When It Just Isn’t Meant to Be
Occasionally the chair is just built into the floor.
As my husband was nearing the end of his five-year commitment to the Marine Corps, he submitted paperwork to go to the Navy, with the goal of eventually becoming a chaplain. He did everything right and believed he was working toward his goal. Three days after he submitted his paperwork, he had a stroke, resulting in his eventual discharge from the military and a medical ban on rejoining.
Some things just aren’t meant to be. Should a person be told to keep driving toward a dream that clearly isn’t going to happen? I think a time comes when we have to admit failure, grieve, and move on. To me, that’s a sign of true courage.
Saying “there is no try” implies we’re able to do anything if we set our minds to it. And that’s a lie. Sometimes we fail, and the value is in the trying rather than in the success.
We learn through trying and failing. We learn patience, persistence. We learn how to graciously accept defeat. We learn we had skills and strengths we didn’t dream of before. We also learn what isn’t right for us.
People who try, really try, give it their all, and fail, should be applauded. Their mindset was right. They fought hard. “Do or do not” just wasn’t an option.
Do you agree with me that Yoda was wrong (in this case at least)? Or do you still think Yoda was right?
Of all the cool parts in The Matrix, the one that many people remember is the “there is no spoon” scene.
Morpheus (Laurence Fishburne) takes Neo (Keanu Reeves) to meet the Oracle, whose purpose is to help The One who will finally bring down the Matrix. While waiting for the Oracle to see him, Neo sits with a boy who seems to be bending and warping a spoon. It looked like the boy was doing something magical, something Neo could never do.
“Do not try and bend the spoon,” the boy says to Neo. “That’s impossible. Instead, only try to realize the truth.”
“What truth?” Neo asks.
“There is no spoon.”
All that stood in the way of Neo being able to do what the boy did…was Neo. When Neo changed his way of looking at things, he succeeded in seeing the spoon bend in his hand.Sometimes the key to success is simply looking at things differently.
While we can’t bend spoons with our minds, the same principle works in both the big and small areas of life.
I love creative cooking, and once sold an article including recipes like my apple-jalapeño coffee cake. My husband is one of the least adventurous eaters I know (he hadn’t even tried banana bread before we met). You’d be surprised how much frustration it created when he refused to try something because he’d decided in advance he wasn’t going to like it.
When what’s standing in your way is a mental block, sometimes the best thing you can do is trick yourself into taking that first step, that first bite. If Neo let himself be convinced by what his eyes saw–a spoon–he never would have been able to bend the spoon.
My husband refuses to eat squash, which means he turned his nose up at zucchini bread. I love zucchini bread. I decided the only way to get him around his mental block was to be a little sneaky. I made a batch of chocolate zucchini bread, and when he asked what it was, I simply said “chocolate bread.” Once he tried it and liked it, I told him it had zucchini in it, and he continues to eat it, despite the squash inside, because he tried it without the mental block of I can’t or I won’t.
If that doesn’t work, you can always look for similarities in things you know you can succeed at. Notice how Neo tilted his head to the side in the clip above. It’s almost like he’s trying to move his head because he knows he can’t try to move the spoon.
Because my husband loves pumpkin pie, I also focused on finding new ways to use those same flavors—pumpkin cupcakes, pumpkin cheesecake, pumpkin pancakes.
If there’s something you think you can’t do, break it down into the basic skills it would take for you to succeed. Then find other tasks you know you can do that require those same skills. When you twist the way you look at it and see that you actually have the skills you need (or can learn them), the insurmountable task doesn’t look so insurmountable anymore.
Has there been a time when a mental block turned out to be all that was standing in your way? What other tips do you have for getting past seemingly impossible obstacles?