The Hunger Games

Why I Hate Gale in The Mockingjay

By Marcy Kennedy (@MarcyKennedy)

When The Hunger Games first became popular, readers were drawn into picking sides about who was the best match for Katniss Everdeen—Gale or Peeta. It never reached the level of Twilight’s Jacob vs. Edward debate, but any love triangle encourages people to pick sides.

I always felt like Peeta was the right match for Katniss, but I didn’t have anything against Gale. He seemed like a nice guy, just not the right guy.

When I watched Mockingjay: Part 1 in theater, one line sparked a lot of anger in my towards Gale. (And, I admit, I can’t remember if this line was in the book or not.)

Over the course of the movie, Katniss and the rebels in District 13 watched Peeta on TV. He encouraged the rebels to stop. He spoke out against the rebellion. It was clear the Capital and Snow were doing something to him as he began to visibly disintegrate.

But Gale had no compassion at all. He insisted he’d never say what Peeta had said. No matter what they did to him. He’d rather die.

It struck a nerve in me. I’ll admit that I’m not objective. One of my pet peeves is people who judge others that way. Gale had never experienced what Peeta was going through. He didn’t even know the full extent of what Peeta was going through. He saw one small aspect and felt justified in condemning Peeta.

I’m not saying that we shouldn’t call wrong wrong. If someone is clearly doing something they shouldn’t, then we need to acknowledge that what they’re doing is wrong.

But life is much more grey than it is black and white. How many hours someone works, the clothes they wear, whether or not they volunteer, how clean their house is…I could drag that list out almost indefinitely.

We can’t know what’s going on behind the scenes in their life so we shouldn’t judge them. The older I get, the more people I meet who are struggling quietly and bravely with extremely difficult situations. They don’t publicize what’s happening. Maybe they’re private people, maybe they don’t want pity, or maybe they know—better than most—that everyone is struggling in their own way and they don’t want to add pressure to someone else.

I wish more people would show mercy and grace, rather than criticizing others when there’s no way they can know exactly what those people are going through.

What’s your biggest pet peeve?

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The Dangerous Side of Hope

The Hunger Games by Suzanne CollinsBy Marcy Kennedy (@MarcyKennedy)

In a world that can be dark and brutal and unfair, hope is one of our most powerful weapons. It can also be a weapon used against us, to keep us from changing our lives.

In the movie version of The Hunger Games, the screenwriters chose to pull back the curtain and give us a look at what was happening with President Snow and the game-makers while Katniss was in the arena. (I love that they did this.) In one scene, President Snow summons Seneca Crane, the head game-maker, and asks him an unusual question.

“Seneca,” he says, “why do you think we have a winner?”

Seneca frowns. “What do you mean?”

“If we just wanted to intimidate the districts, why not round up twenty-four of them at random and execute them all at once? It would be a lot faster.”

Seneca doesn’t know how to answer.

President Snow almost smiles. “Hope. It’s the only thing stronger than fear. A little hope is effective. A lot of hope is dangerous. Spark is fine, as long as it’s contained.

President Snow realized what most of us don’t. Hope, like many other great things, has a dangerous side.

A little hope is what keeps us in a bad job, a bad relationship, or any bad situation. We have just enough hope that we tell ourselves if we stay long enough something might change. We might get that promotion, that raise we deserve. They might realize how wonderful we are and treat us better.

For all the people in the districts in The Hunger Games, seeing one victor gave them just enough hope that their lives might get better if they persevered long enough. That little thread of hope kept them controlled.

But a lot of hope is what freed them. And it’s what can free us.

Because Katniss didn’t play by the Capital’s rules, and because she succeeded due to daring to try something different, she gave the people of the districts a bigger hope. A hope that said they could change things rather than waiting for something to change.

A little hope convinces us to wait, that if we’re patient, things will naturally change for the better. A lot of hope convinces us to act, that if we take the initiative, we’ll be able to have something better than what we have now. It tells us we’re strong enough, smart enough, valuable enough, brave enough. It tells us we can change our circumstances if we’re willing to take a risk.

Those of you who come to my blog regularly know my husband and I have decided we’re tired of having just a little hope. It’s time for a lot of hope. So he’s going back to school, and I’m self-publishing (first book will release next month if all goes well!), and yes, we’re both afraid. Terrified really.

But hope is stronger than fear.

What risk have you taken lately in the hope of making your life better?

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How to Help Your Readers See Your World

Sense of Sight in FictionBy Marcy Kennedy (@MarcyKennedy)

I have a confession to make. It took me three tries to finish Tolkien’s The Fellowship of the Ring.

I stalled out the first two times in the same place—at the house of Tom Bombadil. I tried to slog through all the description, but my attention would slip, I’d set the book down, and something more interesting would steal its place. On the third try, I skipped that section and sailed through the rest of the series.

Most readers aren’t going to be so determined to read your book, and the biggest trap when it comes to over-describing is the sense of sight. And that’s logical. It’s the sense we use the most, and it’s the sense we need to include the most so the reader gets a solid grasp of our setting.

But how do we include enough sight details without creating the Tom Bombadil problem?

Allow Your Character to Put Their Own Twist on It

We hear this advice all the time. Everything needs to be said the way your point of view character would. What would your POV character notice? How would they describe it?

Take it bigger.

Is your character an optimist or do you want to show her in a good mood? Have her notice the one point of beauty in an otherwise ugly item.

Want to show the character arc? How does what they notice about a particular object change over the course of the story?

Use Carefully Chosen Items to Foreshadow

The problem with sight is every day we’re overwhelmed with thousands of meaningless, extra images. Consequently, when we write, we’re tempted to also fill our books with images that don’t serve a purpose. In fiction, everything needs to serve a purpose.

We can include sight details so people see the setting. We can include sight details to set the mood. We can also use sight details to foreshadow.

Foreshadowing is hinting at what’s to come in your story. You can foreshadow a major plot element, the character’s internal state or future transformation, or a secret (either not yet revealed or revealed to the reader but not to the POV character) all through little sight details.

Remember the key here is subtle. So subtle in fact that not every reader will catch it. But the ones who do will love you for it.

Put What Your Character Sees Into Motion

Unlike the other senses, sight often takes more than a single detail to give us a vivid picture, especially if the setting or character you’re describing is important. While adding action (or at least a feeling of motion) won’t fix a giant info dump, it can ensure longer descriptions still have forward momentum.

Suzanne Collins used this expertly when describing Rue, the youngest competitor in The Hunger Games.

She has bright, dark eyes and satiny brown skin and stands tilted up on her toes with arms slightly extended to her sides, as if ready to take wing at the slightest sound. It’s impossible not to think of a bird (pg. 98).

N.K. Jemisin did the same thing in her Hugo and Nebula-nominated novel The Hundred Thousand Kingdoms.

Face like the moon, pale and somehow wavering. I could get the gist of his features, but none of it stuck in my mind beyond an impression of astonishing beauty. His long, long hair wafted around him like black smoke, its tendrils curling and moving of their own volition. His cloak—or perhaps that was his hair too—shifted as if in an unfelt wind (pg. 30).

So How Can We Balance the Five Senses?

Here’s my tip for figuring out your weaknesses when it comes to the five senses in your fiction or memoir. Take your first chapter, last chapter, and five random chapters from the middle. (No cheating and picking your best.) Assign each sense a different color and circle or highlight every time you use a sense. Once you finish, spread the papers out around you. You’ll immediately be able to see which sense you use the most and where you’re weak.

How do you feel about sight descriptions in books? Do you like to be shown everything in detail or do you prefer the author leave much to your imagination?

I hope you’ve enjoyed this series on the five senses. If you missed the first four installments, you can check out my posts on taste, touch, smell, and sound here.

Interested in more ways to improve your writing? Grammar for Fiction Writers is now available from Amazon, Kobo, or Smashwords. (You might also be interested in checking out Showing and Telling in Fiction or Dialogue: A Busy Writer’s Guide.)

All three books are available in print and ebook forms.

I’d love to have you subscribe. I’ll be kicking off a series on dialogue soon.

Photo Credit: Raphael Pinto on www.sxc.hu

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The Missing Hunger Games Line

The Hunger Games movie posterEven though I loved The Hunger Games movie that released Friday, I couldn’t help but notice that the screenwriters left out one of the most important lines in the book.

The night before the Games begin, Katniss finds Peeta on the roof of their hotel, watching the Capitol celebrate.

Peeta tells her, “I keep wishing I could think of a way to…to show the Capitol they don’t own me. That I’m more than just a piece in their Games.”

This makes no sense to Katniss. In the book, she replies by telling him to care about staying alive, and in the movie, she explains that she can’t afford to think that way. Although that particular line wasn’t in the book, it was a perfect addition because that’s the way things are in District 12, where Katniss lives. Thinking of what might be only leads to disappointment. You have no chance of bettering your situation, nothing you do changes anything significant, and the best you can hope for is to survive.

And that’s the best she hopes for from the Arena as well. Only one of the twenty-four who compete comes out alive. To Katniss, any expectation that something might change this year would be futile.

Yet it’s Katniss who, by the end of the book, thumbs her nose at the Capitol and forces them into allowing two winners of the Hunger Games for the first time ever. And over the next two books, it’s Katniss who, without even meaning to, ignites a revolution and changes her world.

She learns one person can make a difference.

I’m not sure whether the scriptwriters missed this theme running underneath all the books or whether they didn’t catch the line that brings out the deepest facet of it, but in Chapter 7 of The Hunger Games, Peeta and Katniss are arguing about which of them has the better chance of survival and of getting sponsors. Each believes it’s the other.

Peeta turns to Haymitch (their mentor) in exasperation and says, “She has no idea. The effect she can have.”

They left this line out of the movie, and without this line, part of the message is missing.

Not only can one person make a difference, but sometimes we make a difference in others’ lives without even knowing it.

Katniss didn’t set out to change the world. She just did what was right and change followed. She had no idea of the chain of events her seemingly small actions would cause.

It works the same way in real life.

When I was twelve, the boy who sat behind me in class would ask me to explain all our school work to him. I dreaded feeling that pesky tap-tap on my shoulder. When I finally lost my temper, he confessed—he couldn’t read. Somehow he’d slipped through the cracks, dismissed as either stupid or lazy, when he wasn’t either.

So I taught him (and felt guilty about snapping at him). At the time, I didn’t think it was anything important, but a couple years later, I overheard him telling a teacher how much I’d helped him and how much it meant to him.

I treasure that memory. So often I struggle with feeling insignificant and like nothing I do really matters, and that memory helps remind me that I won’t always know how something small I did positively affected someone else. If I hadn’t overheard, I would never have known I made a difference.

We’re not all destined to be famous leaders or world-changers, but that doesn’t mean we’re not making a difference in the individual lives we touch, sometimes when we least realize it, often just by doing the right thing. And that too is important.

Do you ever struggle with feeling like what you do doesn’t matter? Has someone made a difference in your life, probably without realizing it?

(If you’re looking for a movie review of The Hunger Games, Karen Rought at The Midnight Novelist has a mostly spoiler-free version, and Jessica O’Neal–the sexy little nerd–does a great job of analyzing the actors and the flow of the movie.)

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December 10 Grab Bag

I used to love candy grab bags growing up. You never knew what goodies were going to be inside, but you knew they were going to be good. Like the posts you can find at these links . . .

For Writers

5 Types of Platform and Which Is Right for You? – Jeff Goins explains five different “voices” or “tones” your platform can take and what personality types are best suited for each.

When Grammar Elements Go Out Drinking – The ladies at Edittorent made me laugh out loud. If you don’t get the joke, make sure you hire an editor before trying to publish your book.

Is Your Novel a Spineless Weakling? – A story can succeed or fail based on the antagonist. Yet another great post from Kristen Lamb on how to make sure your novel has the backbone it needs to survive. 

For Speculative Fiction and Fantasy Lovers

Rules to Survive a Horror Movie – You’ll be chuckling and nodding your head over these tips by Liz Schulte on how to survive if you ever find yourself in a horror movie. Many thanks to Jessica O’Neal for hosting this guest post. And because no horror movie is complete without a sequel, go by Liz Schulte’s Bat Country for How to Survive a Horror Movie Part 2.

The Characters of Harry Potter: Neville – The latest instalment in Jessica O’Neal’s series on the characters of Harry Potter doesn’t disappoint as she tackles one of my favorites. Neville’s innate humility and surprising bravery immediately drew me to him. Find out why else Jess thinks he’s one of the most well-developed characters in the books.

The Hunger Games: Team Peeta vs. Team Gale – Jess Witkins’ Happiness Project pits the two men in Katniss Everdeen’s life against each other. While I didn’t care about Twilight and picking sides, I’m Team Peeta all the way in this one.

The Meaning of Life

Confessions of a Hoarder – On her blog Of Martians and Marshmallows, Lynette M. Burrows comes clean on her personal hoarding obsession. It’ll make you take a fresh look at your own house.

Learning to #EpicFail . . . with Style – Kristen Lamb shares how failure can actually be a good thing if we learn how to use it to our advantage.

The Grinch Is Pregnant -The never-disappointing Myndi Shafer makes an extraordinarily good case that The Grinch is actually pregnant. Yes, even though he’s a boy.

From My Co-Writer Lisa Hall-Wilson at Through the Fire

Why I Hate Christmas – Not everyone loves Christmas and sometimes that’s okay. What matters is what you do with it.

Mermaids Off the Port Bow – Could the myths about mermaids have originated from a real society?

It is not the critic who counts: not the man who points out how the strong man stumbles or where the doer of deeds could have done better. The credit belongs to the man who is actually in the arena, whose face is marred by dust and sweat and blood, who strives valiantly, who errs and comes up short again and again, because there is no effort without error or shortcoming, but who knows the great enthusiasms, the great devotions, who spends himself for a worthy cause; who, at the best, knows, in the end, the triumph of high achievement, and who, at the worst, if he fails, at least he fails while daring greatly, so that his place shall never be with those cold and timid souls who knew neither victory nor defeat.” — Theodore Roosevelt

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The Hunger Games Movie

This week, Lionsgate released the first full Hunger Games movie trailer. As a huge fan, I’m already counting down to the March 23, 2012, release date, and saving up my credit card rewards points so that my husband and I can see it in theaters. In case you missed it (or are like me and want to watch it multiple times), here’s the trailer . . .

You can also become an official Hunger Games groupie by checking out the following sites:

The Hunger Games Facebook Page – Meet the tributes and keep up on the latest updates.

The Hunger Games Movie Site – Want a counter widget (don’t think I didn’t consider it), sneak peaks, and photos, then this is the place to be.

The Hunger Games Official Website – Find out more about Suzanne Collins, play games, or vote for whether you’ll be supporting Katniss or Peeta.