thrillers

I’m Considering Eating the Groundhog

By Marcy Kennedy (@MarcyKennedy)

Last week the pipes in my house froze for the third time this winter.

When I looked in the mirror, I had crazy “is winter over yet?” eyes. Unless I did something fast, I was going to end up like this…

Wolf Ate Groundhog with Words

So I decided I needed to do something fun. Since my ebook of suspense short stories is called Frozen, it seemed fitting for me to put it on sale.

For this week only, you can get Frozen for 99 cents. If you haven’t yet read it, now’s the time!

Frozen: Two Suspense Short StoriesHere are a few more details for you about Frozen.

Twisted sleepwalking.
A frozen goldfish in a plastic bag.
And a woman afraid she’s losing her grip on reality.
“A Purple Elephant” is a 2,900-word suspense short story about grief and betrayal.

In “The Replacements,” a prodigal returns home to find that her parents have started a new family, one with no room for her. This disturbing 3,600-word suspense short story is about the lengths to which we’ll go to feel like we’re wanted, and how we don’t always see things the way they really are.

Grab your copy of Frozen here.

Hopefully it will help you forget about winter for a little while at least 😀

(The sale is Amazon only, but if you want a version for a different ereader, buy a copy from Amazon, send me an email, and I’ll send you a version compatible with whatever your preferred e-reading device is.)

Please help me spread the word about the sale on Facebook, Twitter, and Google+.

If you’d like to use some pre-made tweets, here they are.

Twisted sleepwalking. A frozen goldfish in a plastic bag. A woman losing her grip on reality. FROZEN on sale for 0.99 (Click to tweet)

Prodigal returns to find her parents have started new family with no room for her~Suspense story FROZEN 0.99 til Fri (Click to tweet)

Two disturbing suspense stories in one book ~ FROZEN on sale for 99 cents til Fri (Click to tweet)

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Image Credit: Asia Jones

How Far Would You Go to Be Accepted?

Misfits

Image Credit: Peter Sorensen (sxc.hu)

By Marcy Kennedy (@MarcyKennedy)

Sorry for the silence last week everyone. My husband ended up at the emergency room and was home sick for a few days. But I’m back this week to fulfill my promise!

Two weeks ago. I told you about my struggle to forgive the man who killed my best friend and how that influenced “A Purple Elephant,” one of the short stories in my ebook Frozen.

This week I wanted to talk about my inspiration for the other story, “The Replacements.”

I’ve heard that the best writers have had horrible childhoods or traumatic pasts. I think that’s untrue, a myth perpetuated by a small minority who talk openly about their tragic pasts and the sensitive nature of creatives that makes us more prone to addictions.

I had a happy childhood. In fact, I’d say that, overall, my life has been a good one.

That doesn’t mean I can’t write about tragedy, unbalanced characters, or the darker sides of life.

What it does mean is that I have to find something, some emotion, that I share with that character, no matter how small the connection. (If you’re a writer and want to see what I mean, check out my post on Three Steps to Creating Believable Character Emotions.)

With Natalie, the point of view character in “The Replacements,” that emotion was an overwhelming desire to be loved, accepted, and wanted. (You can read about my struggle with this in my posts My Life As A Three-Headed Chimera and Do You Ever Feel Like You Don’t Fit In?)

I chose a very different path from the one I gave to Natalie, but that was part of what I wanted to explore in this story—a different path. I wanted to take that deep-seated need to be loved and I wanted and put it in a situation where I could create a character who would take it to an extreme that I never would have. I wanted to explore how far a person might go to feel like she had a place to belong.

In “The Replacements,” Natalie is a prodigal daughter who ran away from home and cut off contact with her parents years before. As the story opens, she’s fresh out of an abusive relationship and she’s tired of living on the streets. The only thing she wants, the only thing that matters to her, is to be able to return home to her parents, to know they still want her and love her. 

Except when she arrives home, she finds out her parents have “replaced” her by having more children. In Natalie’s broken mind, the only way she can be welcomed home is by first getting rid of her replacements.

Frozen: Two Suspense Short StoriesHere are a few more details for you about Frozen.

Twisted sleepwalking.
A frozen goldfish in a plastic bag.
And a woman afraid she’s losing her grip on reality.
“A Purple Elephant” is a 2,900-word suspense short story about grief and betrayal.

In “The Replacements,” a prodigal returns home to find that her parents have started a new family, one with no room for her. This disturbing 3,600-word suspense short story is about the lengths to which we’ll go to feel like we’re wanted, and how we don’t always see things the way they really are.

Frozen is currently available at Amazon, Kobo, and Smashwords. More venues coming soon!

I’d love to have you sign up to receive my posts by email. All you need to do is enter your email address below and hit the “Follow” botton.

Enter your email address to follow this blog:

Are You Struggling to Forgive?

Tips for ForgivenessBy Marcy Kennedy (@MarcyKennedy)

My book of two suspense short stories (called Frozen) is now available for purchase. Today and next Tuesday, I’m going to share with you some of my inspiration for the two stories inside.

I’ve told you the story before of the best friend I lost to a drunk driver when I was only 20.

What I haven’t talked about before is how much I hated the man who killed her. And how much I hated myself.

Amanda called me the Saturday before she died and asked if I wanted to tag along and keep her company while she took her car in for an oil change. I turned her down. It was less than a week post-9/11, and I wanted to stay home and watch the coverage on TV.

Once she died, I couldn’t forgive myself for not going. It wasn’t that I regretted not getting that last day with her (though I did regret it and I’d trade a lot to have it now). It was that the voice inside my head told me I was selfish because I’d put my own desire to watch TV ahead of her desire for companionship. I was a horrible friend.

I didn’t contribute to her accident, and I couldn’t count the hours we’d spent together over the years. My guilt and self-hatred was irrational.

But when we lose someone we love, our emotions aren’t always rational. In fact, they seldom are.

It took me years to work through my guilt and self-hatred.

When I wrote “A Purple Elephant,” one of the suspense short stories in Frozen, it was this dual hatred—for myself and for Amanda’s killer—and the need to forgive and move forward that I tapped in to.

I wanted to explore what would happen if a woman was responsible for the death of her only child and couldn’t forgive herself. What would that do to her mentally and emotionally? What would it do to her relationship with her husband?

And how far would someone go to punish the person they believed killed their child?

Forgiveness is a tricky thing, in part because we hold so many misconceptions about what it really means to forgive. I won’t tell you whether or not Candice and Gerry (the characters in “A Purple Elephant”) learned to forgive or not—no spoilers here! But I will tell you what helped me most to actually forgive the man who killed Amanda.

(You might ask, Why would you even try to forgive someone like that? Well, hating him didn’t change anything that had happened, and I found that hating someone was turning me into a person I didn’t want to be.)

To forgive, I had to figure out what forgiveness isn’t. I had to sort through the myths to find the truth.

Truth #1 – Forgiveness isn’t reconciliation.

Reconciliation has many meanings. When I say forgiveness isn’t reconciliation, I’m talking about when two people reconcile, make amends, and come to some sort of agreement or restore a relationship. They “mend fences.”

At his trial, the man who killed Amanda showed no remorse. Near the end, when given the chance to speak, Amanda’s mother asked him to look into “the face of a mother whose heart you broke by murdering my only child.” By refusing to look up, he also refused to admit any guilt or to try to make amends in any way.

For a long time, I didn’t even try to forgive him. How, I asked myself, could I possibly forgive someone who didn’t want to reconcile with those he’d harmed? The answer? I couldn’t.

A pervasive myth about forgiveness says that to forgive you must also reconcile with the person you’ve forgiven. But forgiveness isn’t based on restoring a broken relationship.  Forgiveness is something that we do internally, not something we need to do externally.

If someone has hurt you, you don’t need to continue a relationship with that person (or form a relationship with that person) in order to forgive them.

Truth #2 – Forgiveness isn’t condoning the harm that was done.

The more I learned about his history, the angrier I became. I was angry that he got into a car drunk that night, angry that his girlfriend gave him her car because his was impounded, and angry that the law doesn’t inflict harsher punishments on first- and second-time DUI offenders. Amanda’s death was his third drunk driving conviction.

I thought that I couldn’t even start to forgive until I was no longer angry. My mind had wrongly yoked forgiveness with condoning sin and excusing him for what had happened.

That was a false connection too. I could still feel that what he’d done was 100% wrong. I could be angry that he’d done it. Yet I could still forgive him for it.

Truth #3 – Forgiveness isn’t pardoning.

In the end, he went to jail for second-degree murder, the first conviction of its kind in Michigan. Relieved at the closure of having the trial over, I tried to figure out what life looked like now without Amanda. I even started to think that I’d forgiven him…until his appeal a year and a half later.

I prayed that his appeal would be denied, but felt guilty for it. If I’d truly forgiven him, shouldn’t I be alright with the possibility of his conviction being overturned? Didn’t forgiveness mean pardoning him?

Any good parent will tell you that isn’t true. Sometimes people still need to suffer the consequences of their actions even after they’ve been forgiven. If an offence against us broke a law, we can forgive while still insisting that the offender receive the full legal repercussions.

Truth #4 – Forgiveness isn’t forgetting.

Thankfully his conviction stood. Time passed, and the “forgive and forget” mantra haunted me. I couldn’t forget what had happened. Did that mean I would never be able to forgive?

When I researched this, I found that the Greek word for “remember” means “to call to mind.” Its opposite is not “to forget.” Instead of “forgetting” the wrongs done to us, what we should seek to do is stop dwelling on them. When we choose to forgive, we’re saying that we want to focus on the good things in our lives and to build from there. We’re not saying that we should or can ever forget what happened.

Have you struggled to forgive someone? Or to forgive yourself? What helped you most?

Frozen: Two Suspense Short StoriesHere are a few more details for you about Frozen.

Twisted sleepwalking.
A frozen goldfish in a plastic bag.
And a woman afraid she’s losing her grip on reality.
“A Purple Elephant” is a 2,900-word suspense short story about grief and betrayal.

In “The Replacements,” a prodigal returns home to find that her parents have started a new family, one with no room for her. This disturbing 3,600-word suspense short story is about the lengths to which we’ll go to feel like we’re wanted, and how we don’t always see things the way they really are.

Frozen is currently available at Amazon, Kobo, and Smashwords. More venues coming soon!

I’d love to have you sign up to receive my posts by email. All you need to do is enter your email address below and hit the “Follow” botton.

Enter your email address to follow this blog:

Image Credit: Laura Glover (via sxc.hu)

Four Tips to Keep Readers Turning Pages

Author Linda HallWhat makes for a page-turner? If you ask award-winning novelist Linda Hall, it’s suspense. I invited her to guest post today to give you some tips on how to create suspense in your novel, regardless of the genre.

Since her first book, The Joshia Files, was published by Thomas Nelson in 1992, Linda Hall has written 18 other suspense and mystery novels. Alongside writing novels, she’s been the keynote speaker at conferences such as Write! Canada, part of the faculty of the University of New Brunswick’s Maritime Writers Workshop, and is a regular contributor to Deeds of Darkness, Deeds of Light, a blog that examines the murder mystery/thriller/crime fiction genre from the viewpoint of readers, writers, editors, agents, and librarians.

Take it away Linda . . .

Update: My apologies to subscribers who saw just a massive line of code in the emailed post. I made a mistake in how I placed the image into this post. It’s been fixed now.

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I’m pleased to be invited to guest blog today. Summer is coming, and summer means lots of summer reads for me. I’m currently in the middle of a Dean Koontz thriller, The Good Guy. This book is basically a “chase” book.

I admit it. I’m staying up too late reading it, and, being a writer, I’m constantly asking, “How does he do that? How is he making it so that I can’t put this one down?” The writer in me is doing a bit of analyzing.

Before we go any further I want to define a few terms.  To me, suspense is a technique, not a genre. Suspense needs to be a part of every bit of writing that we ever do from nonfiction to fiction to poetry to comedy. Simply put, suspense is that all important key ingredient that keeps the reader turning pages, no matter what she’s reading. News articles need suspense. This blog needs suspense.

It’s possible to write a thriller that has little or no suspense. I’m sure you’ve read some of these. The plot premise on the back of the book is enticing.

“With an idea like that, I can’t wait to get into it,” you say to yourself.

But then something about the book falls flat. Your interest wanes, and you keep putting the book down. Sure, it was a thriller, but the suspense was missing.

So, back to Koontz who is, in my opinion, a master of the suspenseful thriller. How does he do it?

1.   Right in the middle of the action, he switches points of view.

We are following along with The Good Guy and The Innocent Female as they ditch cars and buy food and attempt to figure out why The Assassin wants them both dead. They are behind the door and hear the bad guy right behind them, and then we switch into the bad guy’s point of view.

He doesn’t see them, doesn’t hear them. Whew! We can wipe our brow once more. But then he figures it out! And now he has them in his sights! There is no getting away this time! And then, Koontz switches into the point of view of the police officer who’s sitting at his desk at home, and it’s night and it’s dark and he’s and trying to sort it all out.

2.   He creates a multiplicity of problems, and the obvious solutions don’t work.

The Good Guy started off with one problem. Someone mistook him for a hit man and gave him a bunch of money. Then the real hit man comes into the bar. The obvious solution would be to dial 911–that’s what you or I would do, right? And The Good Guy is about to call the police, when he sees the guy drive away in a police car. The police are in on this? He closes his cell phone.

So, if you have your heroine wandering down into a dark basement in a storm because she hears noises, she better have a good reason for doing so.  Facing the same situation, you or I would run lickety-split to the neighbors and call the police. You have to make sure the obvious won’t work. If her child was in the basement, or her dog, that would be a compelling reason for her to throw caution into the gutter and go down there.

3.   He adds specks of doubt into his characters.

In this Koontz book, suddenly I am wondering about the Innocent Woman. What is her story? Why isn’t she forthcoming about her personal life? Why is her point of view conspicuously absent from the points of view that the story follows? Maybe she’s not the innocent bystander that I thought she was?

Try doing that. Or, if you’re writing from the first person, a way you could do this is would be to have your heroine  read an email or a letter, but keep the contents from the reader. Keeping small things from your readers will enhances the suspense even in your romance.

4.   And finally, he isn’t ever afraid to paint his characters into a corner.

Don’t fear this. Just do it. Something always turns up. The more corners you can paint your characters into, the better your reader will like it!

Who are some of your favorite authors and why? I bet it has something to do with the technique of suspense.

Want to connect with Linda in other places? Visit her website or her Facebook page.

I’d love to have you sign up to receive my posts by email. All you need to do is enter your email address below and hit the “Follow” button. You can also join me on my Facebook page.

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I hope you’ll check out the newly released mini-books in my Busy Writer’s Guides series–Strong Female Characters and How to Write Faster–both currently available for 99 cents.

Cinderella Strong – Guest Post by August McLaughlin

Last April, I read a post on the Cinderella fairy tale that made me see it in a completely new light. I couldn’t stop thinking about it, so I asked the author, August McLaughlin, if she’d allow me to re-post it here today. If you’re not already a regular reader of August’s blog, make sure you go there after. It’s my favorite place to get well-being tips–from healthy eating, to inspiration, to resolutions that could save our lives.

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Cinderella Strong

By August McLaughlin

August McLaughlin Dolly Cotour Alice Hu 2011Taken literally, one could argue—and numerous have—that Disney’s Cinderella is a passive woman who does nothing to improve her dismal situation.

Rather than stand up to her evil step-family or step out on her own, she relies on others—singsong mice, her fairy godmother, and a handsome prince. She makes wishes, and they do the dirty work. Her prize? A beauty makeover and happily ever after with Bachelor #1.

In the 1980s, psychologist Colette Dowling presented similar views in her best-selling book, Cinderella Complex: Woman’s Hidden Fear of Independence. (It’s a fascinating read, if you’re interested.)

But what if Cinderella is entirely metaphorical? Here’s what I see:

Cinderella’s mice represent her spirit, prodding her to believe in “the dreams [her] heart makes?” Our hearts recognize our dreams before we can pursue them.

The evil step-family illustrates the naysayers in life—people, including ourselves, who tell us to stop striving, that our goals and pursuits are foolish, that we’re destined to live out our lives doing undesirable work, caring for everyone but ourselves.

The fairy godmother is Cinderella’s muse—the inner voice that prompts us to step out of our comfort zones and toward our passion.

The glowing gown she wears reflects how she feels once she begins honing in on her dreams. Once we find the “shoe” (life path) that fits, we stands a bit taller, and our inner-beauty shines outward.

Reverting to her “raggedy” self at midnight represents the time, rest and self-care personal growth requires. There are no quick fixes. We all face risks and challenges along the way. If we embrace them, they can help make us strong.

And speaking of passion, the hunky prince represents the handsome life Cinderella eventually obtains, and the chivalry she finally shows herself. Once that happens, the world is her stage to dance on. Sure, we might get blisters now and then, and every step won’t be graceful, but we’re free to live happy, authentic lives.

Ever seen bits of Cinderella in yourself? When have you felt Cinderella-like? What did the experience teach you?

August McLaughlin Thriller AuthorAugust McLaughlin is a thriller author, health writer and freelance journalist based in Los Angeles. To learn more, visit her website and connect with her on Twitter: @AugstMcLaughlin.

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