urban fantasy

A Crash Course in Fantasy Sub-Genres

By Marcy Kennedy (@MarcyKennedy)

Welcome back to my series on the different genres we can write in. As I go through this series, please keep in mind that I can’t cover absolutely every option. My goal is to give you the main categories, so you can better understand where your book might fit or what you might be interested in writing in the future.

Fantasy Genres

Image Credit: Michael & Christa Richert

What Is Fantasy? What’s the Difference Between Science Fiction, Fantasy, and Horror?

Science fiction, fantasy, and horror are often lumped together under the category of speculative fiction, so before I dive in to looking at the different options you have when writing fantasy, I thought it was important we at least try to clarify where the fuzzy lines between the speculative fiction genres fall.

I’ll define science fiction in more detail next week, but fantasy is a work that, as a defining quality of its plot, has an element that is not real and can never be real–an alternate world, magic, creatures of myth or legend brought to life. The most important thing to remember when writing fantasy is that, no matter how far-fetched or exotic your story, you must keep your world internally consistent. In other words, you set rules for how your world works and you don’t break them. 

On a very basic level, the difference between science fiction and fantasy is one of possibility. Fantasy is always set in the realm of the impossible. Werewolves don’t and won’t exist in our world. No amount of scientific advancement will make it possible for us to travel to Narnia, Hogwarts, or Middle Earth. Science fiction, on the other hand, is based in what we either wish or fear the future might bring.

According to the Horror Writers Association, “horror can deal with the mundane or the supernatural, with the fantastic or the normal. It doesn’t have to be full of ghosts, ghouls, and things to go bump in the night. Its only true requirement is that it elicit an emotional reaction that includes some aspect of fear or dread.” To put it another way, horror will be much darker in tone and will make your heart race much more frequently than will either science fiction or fantasy. Horror means to scare the reader, whereas the most science fiction or fantasy mean to do is warn them. 

(I don’t plan to cover horror in this series, but let me know in the comments if you’d like me to.)

Two of the most well-known awards for science fiction and fantasy writers are the Hugo and the Nebula. Whether or not you’re writing fantasy, the Science Fiction & Fantasy Writers of America is a great resource.

Defining Fantasy Sub-Genres

So now that we have the big picture idea of fantasy down, it’s time to look at your options within the genre.

Historical Fantasy – Historical fantasy takes place in a recognizable historical time period and in a real world location. This sub-genre encompasses things like the King Arthur legends and Robin Hood. It’s more about how the author plays with history, myth, and legend than it is about magic.

Epic Fantasy – Epic fantasies are what most people think of when they hear “fantasy.” They’re defined by a large cast of characters, multiple POVs, and complex plots. They’re set in a fictional world, and the plot often revolves around the rise and fall of kingdoms. The ultimate epic fantasies are George R. R. Martin’s A Song of Fire and Ice series and J. R. R. Tolkien’s Lord of the Rings trilogy.

Urban Fantasy – First of all, urban fantasy is set in a primarily, well, urban/city setting. You can’t set your fantasy in a medieval-esque pastoral setting and call it “urban fantasy.” It’s darker, grittier than most other fantasy, and you’ll usually find it populated with demons, vampires, werewolves, witches (not the Harry Potter kind), or zombies. Kelly Gay’s The Better Part of Darkness is an urban fantasy example. Urban fantasy is often confused with paranormal romance. While they can and do often have blurry lines, the best way to tell them apart is to ask if the core conflict is about two people falling in love. If the main focus of the story is on the relationship, then it’s a paranormal romance. If the main focus of the story is somewhere else, on some other conflict, even if it has a romantic subplot, it’s still an urban fantasy.

Superhero Fantasy – Secret identities, superhuman powers, and villains who are more than a little unhinged are part of what make superhero fantasy so much fun. Superhero movies like X-Men, Spiderman, The Green Lantern, and Captain America are all great examples of this genre.

Traditional Fantasy – Traditional fantasy is basically a teeny, tiny epic fantasy. It’s set in a secondary world (i.e., not our world) like epic fantasy, but it has a smaller cast of characters, fewer POV characters, and a plot that focuses more on a single character (or small group) and their unique struggle than on the creation or destruction of worlds/kingdoms. Magic in some form is usually a key element of traditional fantasy. A classic traditional fantasy is The Last Unicorn by Peter S. Beagle.

The fraternal twin sister of traditional fantasy is sword and sorcery, where the plot focuses more on the swashbuckling adventures and daring doos of the main character than on the magical elements. In other respects, they’re the same. Scott Lynch’s The Lies of Locke Lamora is an icon sword and sorcery fantasy.

Contemporary Fantasy – This sub-genre of fantasy sets the story in our modern-day world (as opposed to historical fantasy) and, although they can have dark elements to them, they also aim to give their reader a sense of joy and wonder. Contemporary fantasies often involve a “world within a world.” If you’ve read any of the Harry Potter books, you’ve read contemporary fantasy. (Urban fantasy is actually a sub-genre of this sub-genre, but it’s easier to consider it as its own sub-genre. Confused yet?)

Alternate History – Don’t let its name fool you. Alternate history plots actually usually fall into the fantasy genre rather than the historical fiction genre because at some point in time the history of the story world diverged from the history of our world. What if the Nazis won World War II? That became the inspiration for The Man in the High Castle by Philip K Dick. Depending on the focus of alternate history plots, they can also be categorized as science fiction.

Do you find that you read more in one of these sub-genres than the others? Where does your fantasy novel fall?

I hope you’ll check out the books in my Busy Writer’s Guides series, including How to Write Dialogue and Mastering Showing and Telling in Your Fiction.

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Allowing Your Characters to Have a “Wicked Sense” of Humor

Fabio Bueno AuthorThe last couple of weeks we’ve been talking about when to show and when to tell. This week I have a special treat for you. Debut author Fabio Bueno has stopped by to give us an example from his new book of how he showed how much a character had changed rather than just telling his readers she was feeling more confident.

Fabio writes young adult/urban fantasy/paranormal novels, including the award-winning Wicked Sense. He resides in the Pacific Northwest with his wife and kids. When not writing or reading, he geeks out with family and friends, solidifies his reputation as the world’s slowest runner, and acts very snobbish about movies. (His words, not mine 🙂 )

Take it away, Fabio…

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In Wicked Sense, Skye is a modern-day witch trying to find a powerful Sister in her high school. When the plot thickens, Skye must have a talk with her ex, Connor, who is in college. He had not been a good boyfriend, and they had had a bad break up. Now, she is going to the University of Washington to meet him. There, she finds Connor making out with a girl in the library. Still, Skye has to talk to him.

My original plan had her simply clearing her throat and letting them know she was there. This scene would later spark an internal monologue by Skye in which she would reflect and conclude she had moved on: she wasn’t interested in Connor anymore.

However, I thought clearing the throat would be too tame, an overused device. Skye had recently gone through some changes; her reaction should reflect these changes. A few options that crossed my mind:

– Skye makes a sarcastic comment

– She doesn’t mind seeing her boyfriend and comes back later

– She steps out and calls him on his cell phone

– Skye goes to the desk and asks the librarian for a book in that row; the librarian catches them and scolds them

I ended up writing the scene below, from Skye’s point of view:

Navigating the aisles, I feel like the books embrace me. I crisscross the rows until I zero in on him.

He’s being smothered by a redhead in jeans and high heels. It’s a long, slobbery kiss. They’re very much into it, their hands reaching places. That’s probably why Connor hasn’t sensed my presence yet.

As I’m about to clear my throat and help them avoid a public indecency charge, an idea comes to me. There are more entertaining ways of doing it.

“Connor!” I yell. My cry shatters the library’s stillness.

They disentangle, startled.

“How could you?” I continue, still loud. Someone on another aisle tries to shush me. “You leave me and the twins at home to suck face with this skank?”

The shushes die. The redhead looks at him. A couple of students stare.

“Skye, I—”

I don’t let him speak. “That’s why I slave every night, waitressing? Paying your tuition? And you’re here, still using that fake British accent to pick up girls!”

He shakes his head. The girl is now mad at him, not even caring about me calling her a name. More people gather around us.

“The twins don’t have shoes! And you know there’s one more on the way,” I say, touching my belly, adding a slight hint of quivering to my voice.

The girl slaps him. Hard. And struts away. She stops by my side to say something to me, but I close my eyes and raise my hand to silence her. She just leaves.

Mum has an Oscar, you know.

Connor pleads, whispering, “Can we take this somewhere else?”

My hands cover my eyes (because I don’t know how to cry on cue), but I nod. The crowd disperses.

After we leave the library, I start to laugh. Connor puts his hands on both sides of his head and looks at me as if he’s seeing me for the first time. I can’t stop laughing. Maybe it’s a release from all the tension of the last couple of days.

Wicked Sense by Fabio BuenoUp until that week, Skye had been tentative, shy, and reactive, but she was growing stronger and more confident. The scene SHOWS that Skye had changed, her new outlook on life, and how she had moved on. It even lets Connor get a little comeuppance. A few people mentioned that this is one of their favorite scenes in the book. I remember writing it at the library and laughing. And all this because I needed an alternative for “clearing the throat.”

One of the best advices about characterization I heard is: “What would this character do? What would only this character do? What would only this character do in this point of her life?”

I would add: let your character do her thing. It might not be your thing. But if she must do it, let her.

What’s the best piece of advice about characters you’ve ever been given?

You can connect with Fabio on his website, on Twitter, or on Facebook.

Click here to buy Wicked Sense in ebook format.

Click here to buy Wicked Sense in print.

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*Disclaimer from Marcy* The Amazon links to Wicked Sense are my affiliate links. Using them doesn’t cost you extra or take anything away from the author. It just helps me earn a few cents on sales, and everything earned goes to maintaining this blog.

Do You Like A Little Contradiction In Your Characters?

Jen Kirchner Urban Fantasy AuthorToday I’m pleased to welcome Jen Kirchner to my blog. I first “met” Jen through her Vote Your Own Adventure series on her blog. When I heard she had a book coming out, I knew I had to try to bring her here to meet all of you. And she agreed!

Jen is a writer, gamer, and coffee junkie who lives in Seattle. You can find her at her website, JenKirchner.com, on Twitter, and on Facebook. She recently released her first novel, an urban fantasy called The Fourth Channel.

Take it away, Jen…

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As a kid, I didn’t enjoy the story of Cinderella. That’s weird, right? What little girl doesn’t dream of being rescued from her chores and siblings and turned into a perfect princess in a gigantic fluffy dress, then swept off her feet by a rich prince?

Apparently this little girl.

Don’t get me wrong—I, like every other little girl, had fantasies of being a regal princess dressed in white. But I also liked lightsabers. Okay, the two concepts don’t really go together, but it gave me a little character. And, unfortunately, since Cinderella and Prince Charming had going for them other than dancing around and losing a shoe (not even close to being as cool as lightsabers) I declared them to be completely boring.

Seriously, now. Do you really mean to tell me that the prince, while waltzing around the dance floor in his tight pants, never once got a wedgie? Or that our lovely Cinderella, who had been overworked and in dire need of a vacation, wasn’t found hiding under the buffet table, guzzling champagne and stuffing her face with salmon asparagus canapés? Then, later, after she’s sufficiently drunk, chatting up an empty suit of armor on display down the hall?

What’s cookin’, good lookin’?

No? Too bad, because that would have been interesting.

Hey, what about that cute and pudgy fairy godmother who can fly and has the magic wand? Yeah. Sign me up for that instead. Those other two send me to Snoozeville.

If only the prince and Cinderella had been interesting. If only they each had a personality trait or two that was unexpected—something that contradicted their perfect natures.

The main character in my novel, The Fourth Channel, struggles with her own personal dichotomy. She’s as near to being a pacifist as she can be. She doesn’t like violence and will avoid a physical confrontation at all costs. As nice as that sounds, it’s incredibly boring. The only way to make her interesting was to give her a trait that was in direct opposition to her pacifist nature.

So I made her a necromancer, a magic user who sacrifices people in exchange for power.

Hey, don’t judge me–it works for a story. Interesting people are ones who have contradictory traits or desires. Unless you’re dull, you have them, too. So do your friends. There’s nothing wrong with it. In fact, it’s often what makes us like people a lot more.

Take Bilbo Baggins, for example. He’s a reputable hobbit of Bag End and wants nothing more than to stay that way through sensible living and three breakfasts a day. But deep in his heart is a yearning for adventure. He can’t have both at the same time, so what will he do? Thanks to a little trickery from Gandalf, adventure wins out.

Thank goodness, because unless you’re into food porn, The Hobbit would have been the most boring story of all time. Not to mention fattening.

 

“I don’t know, whaddya think? You think a princess and a guy like me…”

And what about Princess Leia? She’s a diplomat and a princess who wears white—as all princesses should. But she’s not your typical princess with flowery speech and a gentle nature. Princess Leia is sarcastic, shoots guns, and is solely responsible for getting her rescue party trapped in a garbage compactor. She’s a princess in title, and that’s about it. She can’t even fall in love properly! Instead of going with a reputable man of stature and poise, she falls for a criminal and a scoundrel and, regardless of what anyone tells you, he shoots first.

But let’s be honest. If you had to choose one friend, and your only options were Princess Leia and Cinderella, you’d go with Princess Leia every time. I know I would. At least Leia’s spontaneous and an interesting conversationalist. Plus, you never know what might happen when you meet up for coffee.

All Cinderella has going for her is freakishly small feet.

And there are many other examples of quirky, contradictory people we’d love to befriend—or even people we’d love to be. So why do we spend so much time hiding or apologizing for the traits that might be unexpected? It’s who we are, and like Bilbo Baggins and Princess Leia, it’s those opposing traits that draw people to us.

Real people are full of contradictions. I am. Your friends are. And you are, too. Embrace it.

Now who’s ready for a little adventure?

The Fourth Channel by Jen KirchnerAbout The Fourth Channel…

For years, Kari Hunter’s fooled the world into thinking she’s just an everyday girl. Sure, she’s the lead singer of world-renowned band Vis Viva, but outside of that, she recycles religiously, is an avid supporter of the environment, and she’s a certifiable coffee addict. But Kari has a secret she keeps from her family, friends, and fans.

Kari Hunter is a necromancer.

The rarest and most powerful of all magic-born, necromancers are notorious for leaving a trail of sacrifices in their wake. But Kari isn’t interested in hurting anyone. She works hard at being as un-necromancer-like as possible: everyone she stabs gets a bandage and a lollipop, and whenever her sacrificial knives get too excited by the prospect of violence, she puts them in time-out… in her lingerie drawer.

But when an agent of voodoo master Ruairí O’Bryne catches Kari using her powers, her secret’s out. And if Ruairí finds out who Kari is, he’ll stop at nothing to make her his next sacrifice.

Suit of Armor photo courtesy of Quinet (http://www.flickr.com/photos/quinet/)

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*Disclaimer from Marcy* The Amazon link to The Fourth Channel is my affiliate link.

Elemental Magic and Underwater Panthers

Mishupishu EyeI’m very excited to welcome back Angela Wallace to guest post. I interviewed her when she released the second book in her suspense-filled urban fantasy series Elemental Magic (click here to read Behind the Scenes: Angela Wallace and Elementals), and now she’s agreed to come back and tell us about the frightening mythical creature that wreaks havoc on a small Alaskan town in the third book in the series–Earth Tones.

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The Mishupishu (Bless You)

Okay, lame pun. One of the things I like doing in my Elemental Magic books is playing with a not very well known piece of mythology. Going into Earth Tones, I knew I wanted some kind of vicious cat. Actually, the inspiration came from the Honda Odyssey commercial with the black van in a ring of fire and a flash of a black panther with glowing eyes. Anyone remember seeing it? Yep, that’s exactly the image I wanted in the book. So I began my research trying to find a mythological black cat. There were a few possibilities, but I eventually found the right one for this story.

The mishupishu (one of many spellings), also known as the underwater panther, is a piece of Native American mythology. It was perfect because Nita, the main character in Earth Tones, is Native American. However, I did take some liberty in geographically relocating this myth from its home in the Great Lakes region to Alaska.

True to its name, the underwater panther has both feline and aquatic characteristics. Its name means “Great Lynx”–a huge black cat with scales down its back and horns atop its head. In some cliff drawings, the horns are long, but I made them shorter. The drawings also show upright scales down its back and tail, but I refined it so the creature only had spikes on its tail, which it used to skewer its victims’ legs, dragging them to the ground before going for the kill.

In Algonquin legends, the mishupishu had control over the elements of water and air, particularly related to its home. It could summon a storm or melt ice in order to drown people who didn’t pay it proper respect. The mishupishu’s offering of choice? Tobacco. Cat loved its smokes. Tobacco is used in Earth Tones as a way to lure the panther. The creature could also be benevolent, and sometimes offered up the copper in its horns for shamans to use for healing. In Earth Tones, the panther has no supernatural abilities, just a mean—and poisonous—bite. But the horns are made of copper, and it does contain healing properties, which is important in the story.

In my adaptation of the myth, the underwater panther is pure evil. It had been sealed under the lake until someone let it out. Then it goes on a killing spree, but Nita eventually learns that the cat isn’t hunting on its own. Someone is leading it to specific victims. And when a deadly disease breaks out in the town (surely not a coincidence), the hunt for the mishupishu becomes a race against the clock.

My gaze landed on a huge, black cat standing in the middle of the road. Its body glinted with scales covered in harsh looking bristles of fur.  Spikes extended from its long tail like a mace.  Its eyes glowed yellow as it stared down at us, and hot, putrid breath puffed from its open maw.  It did have what appeared to be horns: two short, rusty brown ones on top of its head, the tip of one broken off.” ~Earth Tones

Earth Tones Angela WallaceEarth Tones, Elemental Magic Book Three

Book Description: Nita Young doesn’t know if she has a future with college sweetheart Keenan Donovan—two star-crossed lovers of opposing elements—but she invites him up to Alaska to see if Earth and Water can rekindle their old flame.

When a series of wild animal attacks strike the inhabitants of Yakutat, Nita has to put her romantic plans on hold. Mangled bodies are turning up, and a mysterious black panther has been spotted in the woods. Fur, scales, and a venomous bite suggest the cat is supernatural in origin—and evidence indicates that someone not only summoned it, but is using it to target those Nita cares about. It’s the perfect murder weapon: no fingerprints, no evidence. And in a town this small, the killer is someone she knows.

Nita’s strength will be put to the test as she faces losing her friends, her town, and the man she loves.

You can buy a copy of Earth Tones on Amazon.

Angela WallaceAngela Wallace loves gun-toting good boys and could have been a cop in another life except for the unfortunate condition of real blood making her queasy. Good thing writing gun and sword fights isn’t a problem. In her books you’ll find the power of love, magic, and redemption.  You can connect with her on her blog, on Facebook, or on Twitter.

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Behind the Scenes: Angela Wallace and Elementals

Today I have the privilege of interviewing Angela Wallace, author of suspense-filled urban fantasy, to go behind the scenes on her Elemental Magic series. Dry Spell, the second book in the series, has just been released.

Dry Spell by Angela WallaceAileen Donovan is an elemental with magical control over water. When Aileen finds a mummified body at a scientist’s convention in Seattle, she suspects supernatural foul play. Her amateur sleuthing, however, isn’t the romantic getaway her human boyfriend, Colin, had in mind. Breaking into crime scenes and fending off black magic doesn’t really set the mood.

As more bodies turn up, Aileen’s insatiable desire to solve the mystery not only pits her against a serial killer, but also a cunning vampire lord, and an elemental agent with ulterior motives.

But the closer Aileen gets to the killer, the further she finds herself from Colin. Can she try to salvage their relationship and stop a murderer, or is she out of her supernatural league?

Welcome, Angela 🙂

Thank you for having me on your blog, Marcy!

I’m so glad you could stop by 🙂 I’ve been looking forward to your visit since I read the blurb for Dry Spell.

In your Elemental Magic series, Aileen Donovan is a water elemental, meaning she can manipulate water and communicate with sea creatures. How did you decide what special abilities to give each of the four types of elementals?

I saw four episodes of Avatar, the Last Airbender and thought that was cool. Wield a whip of water? Oh yeah. I also like limitations on powers, so Aileen’s ability to manipulate water does have to follow the laws of physics. The more she tries to go against that, the harder it becomes. Being able to talk to the animals of a specific element also ties in to your next question regarding how elementals came about.

I love the history you’ve developed—that hundreds of years ago God created the elementals to care for the earth. Where did you get the spark for this idea and how did it develop from there?

I’ve been in love with the elements ever since I went on a youth retreat where the theme was the four elements and how they were metaphors for God and spirituality. It just automatically flowed that my elementals would be stewards over their powers and the natural world. I’m a big thinker when it comes to stories, and like to have every detail and angle that I can think of covered. And though I don’t write “Christian” fiction, there are certain aspects of my faith that show through in my books, such as being created for a specific purpose.

If you could be one type of elemental, which would you choose and why?

Earth. Earth is pretty powerful because some form of it is almost everywhere. Plus, I would love not to kill my plants.  😉

You and I both 🙂 I’ve even tried naming my plants so they last longer. I’ll spare you the gory details of Miranda’s death…

Can you give us a sneak peak at the next book in the series?

Sure! I am very excited for Elemental Magic 3 because we’re getting a new main character and a new element! Nita is an earth elemental, and she’s got her hands full with a newly made werewolf, and a creature scary enough to take one down.

Excerpt:

It took me a moment to notice the sudden stillness of the clearing I had just stepped into. Not a single pine needle or blade of grass seemed to move. Everything was silent. I cocked the rifle and turned in a slow circle, watching for any disturbance in the woods. The few animal presences I detected were huddled in their holes, not moving. A predator was near. If it were a normal land animal, I would have sensed it, but since I didn’t, that left the werewolf as a strong possibility.

I knelt on the ground and braced the rifle barrel on my knee so I could hold it with one hand while I dug around in my sack with the other. I pulled out a fresh kill—goose, feathers intact—and tossed it several feet away. If he was in wolf form, he would smell the blood. With my eyes scanning the tree line and my rifle still braced on my knee, I took my free hand and dug my fingers into the soft earth. The soil hummed at my touch, thousands of tiny voices from centuries of rock and clay singing out to me. My fingers coiled around them like a lifeline. If that wolf attacked, this was my defense: my earth wielding.

Watch for it this fall.  😉

One thing that everyone always wants to know (okay, maybe it’s just something I always want to know) is why each writer chose their individual path. What made you go the route of self-publishing?

It’s kind of a long, complicated story, one I definitely see God’s direction in. Basically, I queried Elemental Magic and my other novel, Phoenix Feather, for a year each. Both racked up 20+ rejection letters. But hey, J.K. Rowling got that many, right? So no worries. I didn’t even know self-publishing (for free) existed until someone told me (that’s the long, God-had-a-hand-in-it part). I have loved it ever since. It’s more my style, my pace. I love maintaining creative control. There are a lot of pitfalls and things to learn along the way (I’m still learning hard lessons), but it’s been rewarding too.

We all love to talk about what we’d do in the case of a zombie apocalypse or other crazy disaster, but my thoughts always go to how I’d make sure my pets survived too. I know you have a go-bag for your cat in case of an emergency, so what essentials would you suggest pet owners keep packed and ready in case they need to evacuate?

Great question! And I recently learned there were a few items I was missing in that go-bag. Btw, the go-bag is the cat carrier. First, a leash and body harness. Suppose you’re stuck in a house with a wall missing, or a shelter. You can’t keep your pet locked in a carrier 24/7. A body harness works better than just a leash around the collar because it’s harder to wriggle out of. I also have a small fleece blanket stuffed inside. Finally, a Ziploc baggy of food. We probably don’t think about it, but our pets get used to the brand of food we give them. Relying on handouts from friends may not work if your pet refuses to touch a different brand. A bag of treats is also a good idea; you never know when you may need to bribe your animal into something.

That’s a great tip about a Ziploc baggy of food. Our youngest cat was one we took in as a half-starved stray, so she’ll eat anything (including green beans), but our Siamese would rather go hungry that eat a new food.

Thanks for taking the time to give us a behind the scenes peek!

Angela WallaceAngela Wallace has been penning adventures ever since she was sucked through a magical portal as a child. She has since come back down to earth, only to discover this mortal realm has magic of its own. Now she is quite at home in the world of urban fantasy, though she believes that love, faith, and hope are of a stronger magic than fire wielding and sorcery. She loves gun-toting good boys, and could have been a cop in another life except real blood makes her queasy. She’ll have to stick to solving supernatural mysteries. You can find out more about her at her Elemental Magic blog, or connect with her on Twitter, Facebook, or Goodreads.

Dry Spell is currently available as an ebook from Amazon or as a paperback from Amazon. More formats coming soon!

Which elemental would you like to be (earth, air, fire, or water)?

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