writing

Four Secrets About Writer’s Conference Faculty

Inside the Brain of Writer's Conference FacultyIt’s writer’s conference season again, and as someone who’s gone to multiple conferences, both as an attendee and as faculty, I wanted to share with you the top four things the faculty and presenters at writer’s conferences (including agents and editors) wish you knew.

(1) We can tell from a 15 minute appointment who is going to succeed and who is going to fail.

You probably think I’m exaggerating, but I’m not. It’s that obvious.

So what are some of the factors signaling success in a person’s future?

  • a willingness to learn and work hard
  • questions showing an understanding of what I said
  • the ability to clearly tell me what you need my help with (or the acknowledgment you’re just starting out and aren’t even sure what your first step should be)
  • evidence you did your research ahead of time

(And please remember – even if they seen potential in you, you might not be ready yet. Would you want to eat an unripe banana? Whether or not an agent or editor asks to see more after a conference should never be taken as a clear sign of your future potential.)

What makes these so important?

Hard work and teachability trump talent every day.

Asking questions (or taking notes) shows that you’re listening, digesting, and are likely to apply what you’ve learned later.

If you know what you need my help with, you know your weaknesses. Recognizing them is the first step in fixing them. If you sit down with me and can’t even explain what you want in a way I can understand, it’s also going to be difficult for you to move forward and get your message across to readers.

If you don’t take the time to read carefully or to research the specialties of conference faculty before speaking to them, it’s a sign that you’ll also query agents and editors randomly. At the last conference I taught at, I had two separate people book appointments with me because they wanted to know how to code and design a website themselves. My bio (on the conference website, my website, and the wall behind my head) said nothing about website design. The best I could do was give them the name of the company who designed my website.

(2) There’s nothing in it for us except the desire to see others succeed.

In the past, the small honorarium I’ve received to come and teach isn’t enough to cover my expenses (though I know this does vary by conference). Monetarily, teaching at conferences is often a loss even for faculty who have books to sell.

Agents and editors come in the hope of finding a new author. Other writers come because they want the chance to give back.

The point to take away from this is that you should take the advice they give you seriously. Don’t brush it off because they accidentally wounded your pride. They want you to do well. Sometimes that means handing out a dose of tough love.

(3) Our days are longer than yours.

Faculty members put in 14 hour days. On one day alone at the last conference we taught at, my co-writer and I put in 17 hours, including teaching a class, an impromptu workshop, almost four hours of one-on-one appointments with attendees, a working lunch, a working supper, informal meetings . . . you get the picture. And unlike attendees, we can’t just take off for an hour to rest.

We were happy to do it. We hope to do it again. But it’s exhausting to always be “on.”

So what? (Yup, I could hear you asking that.)

If at any point you feel like a conference faculty member is brushing you off, ignoring you, belittling you, or didn’t want to talk to you, the truth is they were probably just tired. And since they’re human, exhaustion affects them negatively. Know that they’re trying their best, and don’t take it personally.

(4) We find it overwhelming (and flattering) that everyone knows who we are.

At Write! Canada, where I taught last summer, people I’d never met knew me by sight. Few happenings in my life have been as humbling. I’m really not cool enough to be that well known. In fact, I’m geeky and clumsy and boring more often than I care to admit. (If you don’t believe me, just ask my family.)

The take away here is that if a faculty member forgets your name, don’t take it personally. (And always wear your name tag so we don’t feel like idiots for not knowing your name.) You already know them, but they’ve probably had 10 new names thrown at them in the last half an hour alone.

When you get a chance to talk to them, ask all your writing-related questions (that’s why you’re there after all), but also try to connect with them on something you have in common. Then, if you email them later, you can mention the conversation about such-and-such that you enjoyed and it will jog their memory.

If you’re a conference veteran, what’s the single best piece of advice you’d give to someone new to conferences? If you’re considering going to your first conference, what’s your biggest question or fear?

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Using the Military Correctly in Your Fiction

In honor of Remembrance Day/Veteran’s Day this week, we wanted to bring you a special guest post on how to believably use military characters in your fiction. So I enlisted my husband to help out.

Chris is a former Lance Corporal in the Marine Corps Reserve. For five years, he served as a Combat Engineer with the 4th Combat Engineer Battalion, with which he deployed to Iraq in 2005 as part of Operation Iraqi Freedom. Take it away Chris . . .

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With the wars in Iraq and Afghanistan, military characters or former military characters have become increasingly popular in fiction. But for writers who haven’t been in the military, getting the details right can be a challenge.

Getting them wrong can destroy your book’s chances. Some estimates suggest that 20% of the current US population either is in the military or has served in the military at some point—and that number doesn’t even include their friends and family. If you get it wrong, people will notice.

Understanding how to realistically write military characters is important for historical fiction writers, thriller writers, science fiction and fantasy writers (knowing our military system helps you invent new ones), mystery writers, and even romance writers. So what does it take to get it right?

Here are a few things to keep in mind when writing about fictional military stuff:

Get the names of the members of each branch correct

Marines are not Soldiers, Soldiers are not Airmen, Airmen are not Sailors, and Sailors are not Coast Guardsmen. Each member of the military is proud to have earned their respective title, so use their titles accordingly.

When speaking generally about members of a specific branch of service, remember that members of the Air Force are Airmen, members of the Army are Soldiers, members of the Coast Guard are Coast Guardsmen, members of the Navy are Sailors, and members of the Marine Corps are Marines.

Use correct rank designations

If you ever watch A Few Good Men (in which two Marines are on trial for murdering a fellow Marine who complained about his working conditions aboard the Guantanamo Bay naval base), the two Marines on trial are not called the same thing every time. Private First Class (PFC) Louden Downey is referred to as Private several times, and Lance Corporal Harold Dawson is several times referred to as Corporal. Neither of those uses is correct in terms of the Marine Corps. PFC Downey would always be called Private First Class, PFC, or simply Marine. LCpl Dawson would always be referred to as either Lance Corporal or simply Marine.

A good place to find US military ranks is http://www.defense.gov/about/insignias/enlisted.aspx for enlisted ranks and http://www.defense.gov/about/insignias/officers.aspx for officer ranks.

Correctly describe military equipment and activities

Also in A Few Good Men, you see military inferiors being blatantly disrespectful to their superiors, Marines saluting indoors when not under cover or under arms (wearing a head cover or armed with a weapon), and military members easily losing their composure and destroying their military bearing.

Being disrespectful to superiors causes dissention in the ranks, a breakdown of the military discipline that is necessary to complete a mission or achieve an objective, and can actually get the disrespectful person hauled in front of a court martial (military court) and, eventually, put in confinement/sent to prison.

Marines and Sailors don’t salute indoors unless they are under cover (for example, a Reserve unit conducts a formation inside on the drill deck because the weather outside is too poor for a formation, so they’re all wearing their covers) or under arms (armed with a rifle, pistol, or ceremonial sword).

Bearing is one of the most important things a servicemember can have, and is related to military discipline. A person who loses their bearing is a person who loses face in front of his or her peers and superiors. It’s an admirable quality for a person to be able to hold a good “poker face” no matter the situation.

Correct terminology matters

I also tend to see military weapons referred to as guns (they’re rifles or weapons, not guns); boats referred to as ships, and vice-versa (a boat in naval terminology refers to a submarine, whereas a ship refers to surface vessels, like aircraft carriers); or combat personnel using the wrong hand signals. A good–though not always 100% correct–resource for this is http://www.jargondatabase.com/Category/Military.

Use military dates and times correctly

The correct way to write military dates is in a YEAR/MONTH/DAY format. For example, September 5, 2011, would be written as 20110905.

Make sure you’re getting military time correct, too. Anything from one minute after midnight to one minute before 10am would be written as (for example) 0930. 10am to 12pm would be written as (for example) 1030. For anything after 1259, you would write it the same way, but add 12 to whatever the time is, so 1pm would be 1300. The only time that this does not apply to is exactly at midnight, which is written as 0000, though is often said to be 2400.

Someone who was in the military wouldn’t say, “I’ll meet you there at 7:30 tonight.” They’d be more likely to say, “I’ll meet you there at 1930.”

What questions do you have about how to correctly use the military and military characters in your fiction? Have you seen some of these mistakes before in movies or books?

Interested in more ways to improve your writing? Point of View in Fiction is now available! (You might also want to check out Internal Dialogue or Showing and Telling in Fiction.)

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